In 2004 Sheldon Oberman, a Jewish storyteller from Winnipeg, passed away. At his funeral the presiding Rabbi said that Sheldon’s spirit was with the congregants in the sanctuary. For filmmaker Saul Henteleff this was a revelation that began a personal and spiritual journey into the meaning of Jewish death. My Jewish Death is the result of this journey.
Saul HenteleffSelf
Ari EllisSelf
Allan GreenSelf
Rena BoroditskySelf
Neal RoseSelf
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
William Wolff is nearly 90 and perhaps the most unconventional rabbi in the world. As the State Rabbi of North-East Germany, he looks after the Jewish Communities in Schwerin and Rostock, but still lives in a bungalow near Henley-on-Thames. Midweek he usually flies from Heathrow to Germany. After the services on Saturdays, he either makes his way home or on a leisure city trip. His annual highlight is betting at the Horse Race of Royal Ascot and joining a fasting-retreat in Bad Pyrmont. Willy Wolff leads a Jet-Set-Life, which he actually cannot afford, but dealing with money isn't one of his strengths. Naturally, that occasionally leads to quite temporal conflicts. Rabbi Wolff is the portrait of a fascinating character, a deeply religious man who, blessed with a tremendous joie de vivre, defies all conventions. More than that, it gives insight into the world of Judaism and introduces us to a uniquely German biography.
An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.
For most of us a funeral is traditionally a modest, somber affair, but there are some families who are prepared to go above and beyond to ensure their loved ones go out in style. Warm, funny and surprising, this film explores some of the UKs most extraordinary final goodbyes.
Two days in the life of priest Father Fred Stadtmuller whose New Mexico parish is so large he can only spread goodness and light among his flock with the aid of a monoplane. The priestly pilot is seen dashing from one province to the next at the helm of his trusty Piper Club administering guidance to unruly children, sermonizing at funerals and flying a sickly child and its mother to a hospital.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
The story of Robert Flanagan, a man who was born with cystic fibrosis and told he wouldn't live past 20, who through a unique odyssey of masochism, art and love found a way to live decades past his expiration date.
Robert Drew shows the sights and sounds from the funeral of President John F. Kennedy in November, 1963. Preserved by the Academy Film Archive in 2002.
The first woman rabbi in the world, Regina Jonas, comes to light, courtesy of Rachel Weisz – who plays her – and her father George Weisz, who was the executive producer for this poetic and beautiful documentary. The daughter of an Orthodox Jewish peddler, Jonas was ordained in Berlin in 1935. During the Nazi era and the war, her sermons and her unparalleled devotion brought encouragement to the persecuted German Jews. Regina Jonas was murdered in Auschwitz in 1944. The only surviving photo of Jonas serves as a leitmotif for the film, showing a determined young woman gazing at the camera with self-confidence.
Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
Coverage of the State Funeral of HM the Queen, including the service from Westminster Abbey and the procession of Her Majesty’s coffin through London, the journey of The Queen’s coffin to Windsor, the procession to St. George’s Chapel and the Committal Service.
This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.
Victims of a tragic air crash are honoured in a sombre military funeral procession through the streets of Hitchin.
The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
In 1965 actor and hopeful first time director Titus Moede befriended ‘Preacher’ of the outlaw motorcycle club the Coffin Cheaters while looking for a project. He soon realized that this was exactly the subject he had been looking for.
Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.