
Cal State Long Beach, CA, January 2020 (2021)
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
Twenty-five films from twenty-five European countries by twenty-five European directors.
The Tŝilhqot’in Nation is represented by six communities in the stunningly beautiful interior of British Columbia. Surrounded by mountains and rivers, the Tŝilhqot’in People have cared for this territory for millennia. With increasing external pressures from natural-resource extraction companies, the communities mobilized in the early 21st century to assert their rightful title to their lands. Following a decision by the Supreme Court of British Columbia in 2007 that only partially acknowledged their claim, the Tŝilhqot’in Nation’s plight was heard in the Supreme Court of Canada. In a historic decision in 2014, the country’s highest court ruled what the Tŝilhqot’in have long asserted: that they alone have full title to their homelands.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
Three Swedish living rooms, under three different stages of life.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.
This documentary brings alive a remarkable artist’s passionate journey through a turbulent century. Both epic and surprisingly intimate, the film presents a classic American immigrant saga, an inspiring search for artistic independence, and a great romance. Along the way, Biberman's growing commitment to social justice and struggle against McCarthy-era repression (his brother, director Herbert Biberman, went to prison as one of The Hollywood Ten) combine with his efforts to create both a loving family life and a groundbreaking body of work. With its grand scope, rich personalities, and vast array of breathtaking artwork, Brush With Life connects us in a deeply personal way to a brilliant artist who lived by the same high standards he set for his paintings.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.
This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.
Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.