Kommil Foo: Breken (2012)
Stage registration of the fifteenth show 'Breken' by the Flemish musical comedy duo Kommil Foo. The performance opens with the question 'How do you get a grown man into a matchbox?'
Top billed cast
- Raf Walschaerts
- Mich Walschaerts
Similar to Kommil Foo: Breken
The Devil's Cabaret (1930)
At Satan & Co., Inc., the devil is upset because too many people are going up to Heaven rather than down to Hades. He gives his assistant, Mr. Burns, the task of getting more people to his domain. In front of a nightclub, Mr. Burns invites a crowd of people to come inside to The Devil's Cabaret to be entertained. After they enjoy songs and dancing, the people go willingly to Hades.
Los chulos (1981)
Félix rebolledo is a pimp who owns a cabaret, two bingo halls and three dating houses. He now intends to open a party hall, and for this he has - as he always has - the support of the Bishop, whom he has bribed with frequent donations. Counting on the support of the Church, it will be much easier for him to have the approval of the City Council, although, on the other hand, he also has bribed, among others, the mayor and the president of the Council of the Deputation.
Alex Klaasen: Eindelijk alleen (2010)
Registration of the first solo theatre program by the Dutch actor, comedian and singer Alex Klaasen. Klaasen sings, among other things, a schizophrenia musical and a hymn to the turd.
This Could Be the Night (1957)
To earn extra money, a prim schoolteacher takes a second job as secretary to the uncouth owner of a boisterous nightclub.
Arjen Lubach & Tim Kamps: Het Monica Da Silva Trio (2012)
Registration of the theatre program by the Dutch musical comedy duo Het Monica Da Silva Trio (Tim Kamps and Arjen Lubach).
Marc-Marie Huijbregts: Marc-Marie H. (2003)
Television registration of the first comedy show by the Dutch comedian Marc-Marie Huijbregts. A man has locked himself in his room and talks about his cynical view of things like charity and the children's rhymes of the Dutch writer Annie M.G. schmidt.
Waardenberg & de Jong: de Gekkengalerij (1988)
In their second show, Waardenberg & de Jong attack each other with yoghurt, paint, water and wood glue. They end as sea lions, diving in a pool from a water slide.
Micha Wertheim: Someone Else (2017)
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.
Van Muiswinkel & van Vleuten: Mannen Met Vaste Lasten (2002)
Registration of the third theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. One day a man has to go. Away from family, away from home and hearth. Away from the drudgery of his work, out to look the world straight in the eye! In short: one day a man has to go to a equipped holiday cottage. Diederik van Vleuten asked his friend Erik van Muiswinkel to come along. The result was their theatre third program in which two men, one with a house and one with a bunk bed, clash. What are two Dutch friends in their forties discussing in a house on a Dutch Frisian Island?
Daniël Arends: Blessuretijd (2013)
In his third show, Daniël Arends argues that good deeds are a form of self interest, and evil deeds are a hobby.
Harrie Jekkers: 2x Drie Kwartier (1990)
The first theatre program from 1987 by the Dutch cabaretier Harrie Jekkers. Accompanied by two musicians he sings songs and tells stories. In 1990 a registration was broadcasted on television.
The Angel of Amsterdam (1977)
The Lord sends his archangel Raphael to earth to finish some unresolved matters. Raphael ends up in Amsterdam and gets entangled in local troubles, including womenemancipation, secularisation and the impending restructuring of the city center. The musical alludes to local, then topical issues. This musical was on the occasion of the seven hundredth anniversary of the city of Amsterdam, and loosely based on 'Gijsbrecht van Aemstel', the 17th-century history play by Joost van den Vondel.