On October 27, 2005, Zyed Benna and Bouna Traoré died in an electrical substation while fleeing the police, sparking three weeks of riots across France. A decade later, as the officers involved are acquitted, the film revisits the voices of those who lived through the uprising. Through their stories, it explores what remains of that anger and how their view of society has evolved.
Cédric Ido(voice)Having suffered incest from her father from the age of eight to the age of twelve, at forty-five, Beatrice filmed, with two cameras, a long meeting with her mother to try, with the viewer, to understand their story.
Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
Eleni is 16 and has just moved from California to Virginia, where she must adapt to a new school. This comes easily to her thanks to her intense passion, which she instills in her peers. She becomes president of the school's rocket club and aims to build the perfect model for a competition attended by hundreds of teams from across the United States.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.
African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.
NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.
Southern Rites visits Montgomery County, Ga., one year after the town merged its racially segregated proms, and during a historic election campaign that may lead to its first African-American sheriff. Acclaimed photographer Gillian Laub, whose photos first brought the area unwanted notoriety, documents the repercussions when a white town resident is charged with the murder of a young black man. The case divides locals along well-worn racial lines, and the ensuing plea bargain and sentencing uncover complex truths and produce emotional revelations.
In White Like Me, anti-racist educator Tim Wise explores race and racism in the US through the lens of whiteness and white privilege.
A Mondo documentary focused on the 1960's American lifestyle, consumerism, religion, adversity, and oddity. An outsider's look at a country afflicted by episodes of racism and neo -Nazism. Scenes of a Ghost Town, LSD in NYC, Sunset Strip Los Angeles California, Amish, Klu Klux Klan, African-American Fashion Show, etc.
Investigates the reasons North Carolina, long seen as the most progressive state in the South, became home to the largest Klan organization in the country, with more members than all the other Southern states combined, during the 1960s.
The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident's behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.
This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
The hairstyles of four Afro-descendant people from Mexican - Senegalese families, represent the starting point to reflect, through memories that emerge from their past and present, what it is like to live in México wearing a Black Crown and the consequences that implies.
Whenever the phrase "breaking the color line" is used, there's a temptation to invoke Jackie Robinson's story. However, Perry Wallace, the first black college athlete in the Southeast Conference, was a mere teenager who stood all alone at center court in such hotbeds of rabid racism as Starkville, Mississippi and Tuscaloosa, Alabama.
Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes to work in conditions that were not those promised. They, the descendants of African slaves and domesticated from England, manage to raise their voices against American injustices.
This documentary accompanies the journey of artists who exalt and celebrate ancestry and the orishas in their work. It also offers a manifesto against one of the biggest problems facing Brazil: religious racism. The feature brings together stories from music, theater, fashion, dance and the visual arts to promote reflection on the power and importance of black representation, art and diversity