A Poem for My Blanket (2024)
Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.
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Ruin Nostalgia (2022)
A collection of urban explorations videos made by filmmaker Will Krupinsky between 2015-2017.
Queen of New York (2023)
Welcome to a different kind of drag race! As NYC emerges from the chaos of 2020, Marti Cummings (they/them), an audacious and big-hearted drag queen, goes all out in a historic bid to become a City Councilperson. It’s one of the most hotly contested Council races in years, and Marti’s strongest competitor is Shaun Abreu, a tenants’ lawyer with deep roots in the district’s Latinx community. As these first-timers race to do the most good for their Upper Manhattan neighbors, they offer very different visions for Democratic politics – one in a suit and tie, the other in combat boots and floral print. As this immersive documentary reveals, Marti’s passion inspires queer activists and allies to change the political system. Their campaign becomes a community of its own, especially for Marti’s non-binary peers who have never before seen themselves represented.
Quarantine (2021)
A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.
Dream Boat (2017)
A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.
Echo (2023)
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Printemps Now! (2018)
How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.
Kewaaj (2023)
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index.
Witness (1982)
Experimental short film by Barbara Sykes
Reservoir (Seven Fragments) (2022)
Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
Once Faithful (2024)
Days slip away in a former baptist church haunted by its past
Grid (2021)
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
ZION USA (2023)
An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.
Origins of consciousness (2023)
Experimental meditation on land, consciousness, and artificial intelligence. Shot in the Okanagan and West Kootenays. Original music by Jack Brintnell.
An Ordinary Texas Homicide (2023)
An experiment in video and sound collage by John Ledingham and Liam McCarrell. Inspired by the novel "Libra" by Don DeLillo.
Trailblazers (2024)
Alia and Muz are Pakistani-Welsh queer chosen siblings who overcome rejection and forge a path towards inclusivity. While being part of the local house ballroom scene, they soon meet Aiman, who compels them to form a trio as an Asian artist's collective in Wales. 'Trailblazers' follow their journey in reclaiming their identities, preserving their cultural heritage, and empowering Asian queer artists who refuse to let their families' rejection define them.
Rope Ladder to the Moon (2010)
Tony Palmer directs this 1970 documentary about Scottish bass player and former Cream member Jack Bruce. The film tracks Bruce's life from his childhood in the Gorbals to the height of his fame with Cream and beyond.
Battle at Kruger (2007)
An eight-minute amateur wildlife video that depicts a confrontation between a herd of Cape buffalo, a small group of young lions from a pride, and one crocodile.
Queercore: How to Punk a Revolution (2017)
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
How I Learned to Love the Numbers (2014)
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.