Scuggs, the utterly unpleasant super of a Bronx tenement is driven to desperate measures by an innocent-appearing, but manipulative 11 year-old girl. Based on the graphic novel by American Master Will Eisner, Meinecke combines larger-than-life characters, borrows from the traditions of melodrama and applies a visual language derived from German Expressionists to create a haunting tale, that won particular favor with New York critics.
Erich BarScuggsNatalia BitnarRosy
Eva Maria MeinekeMrs. FarfellHorst PasderskiMr. Levinsky
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
Three women wrestle with life's difficulties while confronting their past relationships with the same man.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Thief Gaston Monescu and pickpocket Lily are partners in crime and love. Working for perfume company executive Mariette Colet, the two crooks decide to combine their criminal talents to rob their employer. Under the alias of Monsieur Laval, Gaston uses his position as Mariette's personal secretary to become closer to her. However, he takes things too far when he actually falls in love with Mariette, and has to choose between her and Lily.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
Two musicians witness a mob hit and struggle to find a way out of the city. Their only opportunity comes in the form of joining an all-girl band as they prepare to leave on a tour. The two disguise themselves as women and struggle to keep their identities secret as they deal with the problems this brings.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.
The car repair shop is their second home and their colleagues are like family. Everyone has their quirks and is accepted for the way they are. But then comes the bad news: they are soon to be squeezed out by a more lucrative new building project.
A film about a girl drawn to a golf course.
One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.
Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.
1935 Los Angeles, community leader Sei Fujii uncovers the corrupt activities of his community's underground mafia. He must choose between saving the face of his deteriorating community and confronting the issues head on through his newspaper. Based on a true story.
In this adventure of imagination, young Tess, a shy girl of 13, discovers a new meaning for love on Valentine’s Day. Through a very special book, she meets the third century martyr Valentine and his Christian friends. They show her what it means to love others as Jesus loves us, and to receive that love in return. Jonathan Farwell and Kaleena Kiff star in this fresh and inspiring story of the origin of Valentine’s Day.
Ramón Aguirre is an old actor from the time of the Mexican Golden Cinema, whose years of fame are completely over. Locked away in his apartment in Tacubaya, afflicted by his unfortunate physical condition, as well as by the resounding change suffered in his city, Ramón only has two hobbies left, writing his memories and regrets in a small diary, mainly that of having lost the love of his life, Silvia, and spy through a small crack on his neighbor, Pedro, who is a writer who suffers from artistic block and constant phone fights with his fiancée, and with whom Ramón has developed a peculiar bond, despite of never having exchanged any word.
Today is a big day, it's Pepper's estranged son's birthday. He disowned her 20 years ago for becoming a drag queen. A chance meeting with Charlie, an eight-year-old boy, reminds her the importance of family and doing the right thing.
An elegant, abstracted expression of provincial life in which ordinary everyday details become frozen and magnified as its young protagonists find themselves implicated in a moment of sheer madness.