Things That Were There (2023)
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
Innocent nature walk leads to a discovery of the morbid nature of humans.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
What it is like to have a younger sibling
Dancing Plague, a GTA V mod, flips the script. Holding H key forces male NPCs to dance uncontrollably, revealing the game's biased animations where female characters (often sex workers) have the flashiest moves. This disrupts the game's gender roles, making masculinity both playful and challenged. Interestingly, female characters ignore the male dance frenzy. This is a humorous critique of the game's gender politics. The mod's soundtrack, by Azu Tiwaline, blends electronic music with trance traditions, deepening the critique and adding an immersive ritualistic feel.
A trans Vietnamese woman's deadname being repeated over and over again.
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.
A portrait of a seemingly ordinary house - one that holds cherished memories while also bearing the burden of abandonment and neglect. Revisiting my grandparents’ house, I find myself exploring the intersection of home, nostalgia, and the passage of time while trying to grasp the essence of a place where time seems to stand still.
Broken VHS Tape is a video diary series created by Lonnie Randall.
This 135-minute documentary offers to reopen this magical parenthesis which has seen the birth of a whirlwind of artists with very different styles. From Chantal Goya to Annie Cordy, from Pierre Perret to Carlos. They knew how to bring each in their own way generations of children into their poetic universe.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
A film about silence and difficulty to tell a story, starting from an interview with the last two former Italian military internees of the German concentration camps, still living in the Cadore valley. Faithful to Italy and not to the Duce, after the fall of the Fascist State in 1943 they are captured by the German army and sent to the lagers. On their return they found a completely different country, which did not recognise them as part of an unarmed resistance, relegating them to silence.
Experimental self portrait