In the fall of 2000, a group of Malaysian underground musicians arrived at the Rockers' village in the outskirts of Beijing. Living illegally in a farmhouse, they tried to blend into the Beijing underground scene. They sought performance opportunities and gigs in pubs and bars.
魔旋乐队重阳乐队林悦麦伟豪李刚Lin YueNarrator
Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999.
Founded by Superchunk's Mac McCaughan and Laura Ballance in 1989, North Carolina’s Merge Records quickly grew to become one of America’s essential indie labels. From supporting their fertile local indie rock scene to launching international stars, for 25 years Merge has carved out uncompromising success by staying true to its independent roots. Google Play is proud to celebrate 25 years of Merge Records with this exclusive documentary and series of covers of Merge classics by Merge acts including Superchunk, the Mountain Goats, Telekinesis and more.
Your War (I'm One Of You) chronicles the life and career of Chicago's Tim Kinsella, frontman of ever-shifting band Joan of Arc and '90's pioneers Cap'n Jazz. With appearances from Tim's friends, family, and admirers, we learn what has made his legacy so unique and enduring for more than 20 years.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
In 2007 the legendary American duo White Stripes toured Canada. Besides playing the usual venues they challenged themselves and played in buses, cafés and for Indian tribal elders. Music video director Emmett Malloy followed the band and managed to capture both the special tour, extraordinary concert versions of the band's minimalist, raw, blues-inspired rock songs and the special relationship between the extroverted Jack White and the introspective Meg White - a formerly married couple who for a long time claimed to be siblings. The film makes striking use of the band's concert colors: red, white and black.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
A documentary that follows a middle-aged Azorean record obsessive who has lost the vinyl collection of his youth, and so seeks to reconnect with it through talking with the fellow island collectors he grew up with about the music scene of their wilder years.
Everything Will Change is a feature-length documentary concert film of The Postal Service’s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley’s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band’s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Documentary covers three tumultuous years in the career of the Southern rock group Drive-By Truckers.
Covers the history of the long running All Tomorrow's Parties music festival, utilizing footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone.
Hailed as one of the most innovative and intimate documentaries of all time, experience Kurt Cobain like never before in the only ever fully authorized portrait of the famed music icon. Academy Award nominated filmmaker Brett Morgen expertly blends Cobain's personal archive of art, music, never seen before movies, animation and revelatory interviews from his family and closest friends.
The Comeback Special documents The The's triumphant Royal Albert Hall Concert on 5th June 2018. The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale. Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated The The, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.
NOT A PHOTOGRAPH documents the resurrection of the seminal post-punk band Mission of Burma, beginning in 2002 and continuing to the present. For a band deemed 'too ahead-of-their-time' during their initial existence, NOT A PHOTOGRAPH follows Mission of Burma's struggle to breathe new life into a tale that's already been recorded in rock's history books -- one that's placed them under the bright lights of acclaim, influence and legend.
Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans. Stiff's successes included Nick Lowe, the Damned, Elvis Costello, Ian Dury, Madness, Tracey Ullman and the Pogues. Contributors include Captain Sensible, Jonathan Ross, Suggs, Shane MacGowan and label founders Jake Riviera and Dave Robinson.
Documentary about the American indie band Pavement, which combines scripts with documentary images of the band and a musical mise-en-scene composed of songs from their discography.
Set against the backdrop of 9/11, this documentary tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world.
On August 23, 2018, Beach House performed a stunning, career-spanning set at Brooklyn’s historic Kings Theatre. Performing music from their latest album '7' and stretching back through 2010’s 'Devotion', Victoria Legrand and Alex Scally brought their moody and mysterious dream pop to life, backed by state-of-the-art visuals, in a venue as grand and majestic as their music.
In 1991, a long-form music video version of Goo was released on VHS and LaserDisc. A music video for each song from the album was included; the track listing was identical to that of the original album.
Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."