Despite being at a respectable job of Village Administrative Officer (VAO), Chinnasamy, an enterprising youngster from an oppressed class has still been called by the upper caste people to perform the death rituals. However, the problem arises when he refrains to perform the last rites for a village elder.
CheranChinnasamy
Sri Priyanka
LalSudalaiyandi
AruldossEsakki
Vela RamamoorthyGandhi
Dhruva
Deepshika UmapathyValli
S. A. Chandrasekhar
Ravi Mariya
Mayilsamy
Chitti Babu begins to suspect his elder brother's life is in danger after they team up to lock horns with their village president and overthrow his unlawful 30 year old regime.
A law student from a lower caste begins a friendship with his classmate, a girl who belongs to a higher caste, and the men in her family start giving him trouble over this.
A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.
A low caste boxer, Shravan, trains at a gym controlled by a local Don, Mishra. Shravan falls for Mishra's niece, Sunaina. Mishra does not approve of this match. Shravan strives to win Sunaina's hand in marriage and become a successful boxer while trying to avoid retaliation from Mishra.
When Neelesh, an idealistic law student from a marginalised section of society, steps into a prestigious institution, he is thrust into a world that doesn't reflect his own. His friendship with Vidhi offers hope-until a wave of tragedy exposes the deep-rooted hierarchies he tried to outrun. He must confront the invisible forces that shape who we are allowed to become and who we are allowed to love.
The story of ‘blue dogs’ is about two watchful, loyal dogs of some supposed huge mobster, with his work in and around Mumbai. As the story unfolds, their lives of crime gets inexplicably tangled with bigotry, paranoia and delusions.
Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.
A group of college students gets entangled in the scheme of a fledgling caste outfit that wants to turn into a political party.
Caste Aside is a documentary about the British government's controversial decision on whether or not to introduce legislation against caste discrimination in the UK. Highlighting both sides of this heated debate, the documentary speaks to Dalit rights activists, Hindu community leaders, academics and lawyers, as well as those who say they have been discriminated against on the basis of their caste - here in Britain.
During the 2020 pandemic summer, El Colegio de la Desextinción infiltrated into the holidays of four Divine Caste’s descendants. This elite built its wealth on slavery in the sisal plantations of Yucatán, Mexico, at the end of the 19th and beginning of the 20th century. Every year these families move to their opulent summer houses at Chicxulub Puerto, built at the same place where the asteroid that killed the dinosaurs hit. In these apocalyptic beaches, seducers of asteroids and conquistadors, we proposed the young heirs to write and star in a film about Chicxulub’s crater, in which they staged their entrepreneur fantasies.This documentary is the result of the political unconsciousness of this peninsular ethnic group.
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.
Inés, Irene and Ivonne gather at their mother's house to attend their father's funeral; they will not return until a year after for the anniversary of their father's death, and it is at that precise moment that everyone will have to face another setback.
A man, who creates pasts for a living, struggles to find his own past while a mysterious woman takes a dangerous step.
Two sailors who are always competing against each other set their sights on the same girl. When she chooses one over the other, their friendship ends acrimoniously. However, things change when one the men is in a submarine trapped beneath the ocean and the other, a diver, is sent down on a rescue mission.