Top billed cast
Pietro RecuperoSelf
Similar to Venerdì Santo - Bronte
Whale Rider (2003)
A contemporary story of love, rejection, and triumph as a young Maori girl fights to fulfill a destiny her grandfather refuses to recognize.
The Story of the Weeping Camel (2003)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Ben-Hur (1959)
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
The Way of the Wind
A dramatization of several episodes in the life of Christ.
Ritos Populares: Umbanda no Brasil (1977)
A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.
The Passion of Joan of Arc (1928)
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
The Object (2007)
Documentary about three men from Kentucky who claim to have discovered an Old Testament relic for 69-cents at a Madison, Tennessee Goodwill superstore. The men believe that they have found the mysterious Urim and Thummim in the form of a stone cup that allows its users to communicate with God and see visions.
Cotolay (1965)
A loose retelling of the 13th century Galician legend of the boy Cotolay who helped three pilgrims establish the Convent of San Francisco near Santiago de Compostela.
Over Mountains, Over Valleys (1930)
The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.
The Story of the Swastika (2013)
In the week when Hindus celebrate the holy festival of Diwali, this documentary tells the story of one of their faith's most sacred symbols - the swastika. For many, the swastika has become a symbol synonymous with the Nazis and fascism. But this film reveals the fascinating and complex history of an emblem that is, in fact, a religious symbol, with a sacred past. For the almost one billion Hindus around the world, the swastika lies at the heart of religious practices and beliefs, as an emblem of benevolence, luck and good fortune.
The Third Way (2014)
Documentary film about Catholic Church teachings about homosexuality. Describes the "third way", the lifestyle lead by orthodox gay Catholics practicing celibacy out of personal choice, an often overlooked demographic in the debates about homosexuality in the Church.
Kingdom of Heaven (2005)
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.
Sunny Night (2017)
On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
The Dog Who Saved Easter (2014)
It's Easter and everyone's favorite K-9 is back! The Bannisters are heading out on a family cruise and sending Zeus to doggie day care. Everything is going according to plan, until the daycare's crosstown rival hires a trio of crooks to sabotage the fledgling business. Zeus will make some new friends and new enemies as he uses all his tricks to save the daycare and Easter!
The Baby of Mâcon (1993)
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
The Ten Commandments (1956)
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
The Magdalene Sisters (2002)
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
The Eyes of Asia (1997)
Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not. All the while, a woman wants to discover her past...