Eme (o dos historias sobre [cómo] soltar) (2023)
Two stories about different ways two people overcome loss; which may or may not be connected.
Two stories about different ways two people overcome loss; which may or may not be connected.
Juan José Antuna OrtizÉlA former football star turned real estate broker meets with rich, spoiled young Billy to close a deal on a mansion, and nothing goes according to plan.

A young actor, trapped in an abusive film set, starts spiraling in an anxiety induced attack and reflection as he ponders on his work and role in society. His attack and thoughts get heavier and more sporadic as he sifts through interviews he's done throughout the years - all showing the pain that lies within.
An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.

A bartender takes on the physical form of her imagined alter egos.

Reya’s World delves into the raw and poignant struggle of a young woman navigating the depths of depression. Feeling trapped in a seemingly endless cycle of isolation, Reya finds solace and gradual healing through small moments of self-connection and genuine friendships, gradually lifting the heavy burden that envelops her.


A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.
A silent tale about a dying love. Symbolisms and sounds are the elements used to explore the birth and destruction of a universe derived from the exchange of behaviors and beliefs when two individuals collide. - The film was recorded in the desert of White Sands in New Mexico. BEST EXPERIMENTAL FILM at TRANSFORM FILM FEST 2018 WINNER - EXPERIMENTAL FILM FEST 2023 - Una historia muda sobre un amor que muere. Simbolismos y sonidos son los elementos utilizados para explorar el nacimiento y destrucción de un universo derivado del intercambio de comportamientos y creencias cuando dos individuos se encuentran.

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.

Inside a bathroom, a woman dissolves. Not into water—but into identity. Set in an oneiric, liminal space, this experimental short dissects the most banal of routines—eliminate, change, wash—and refracts them through the prism of identity. What do we flush away, what do we conceal with powder and polish, what residue do we scrub from the self? The film doesn't offer answers. It exists in the space between viewer and image, where meaning is slippery and selfhood runs down the drain.

A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.

The why is an experiential meditation on death, on loves lost, the duality of mind, and ultimately the nature of attachment and memory turned obsession.
