Girls Life Is Trembling (2009)
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
"Ni Coupables, ni victimes" ("Not Guilty, Not Victims") is a polyphonic conversation gathering the words of some of the protagonists at the European Conference on Sex Work, Human Rights, Labour and Migration, Brussels (2005). They speak of the complexity and nuances of the sex industry and their lives: the challenges and the struggles of being a sex worker in Europe today, the repressive policies affecting their lives, and the strategies of resistance enabling them to do their work, build their desires and plan their futures.
Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.
The Burden of Virginity explores the deeply rooted traditions surrounding virginity in Uzbekistan, focusing on the expectations placed on brides to remain "pure" until their wedding day. The film follows the story of a young Uzbek woman who faces public humiliation and familial rejection after failing to prove her virginity. Her ordeal leads her to contemplate suicide, highlighting the extreme pressures imposed by societal customs.
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
In this short documentary, we take a look at the history and future of roller derby in the Netherlands, while also touching on subjects such as image and the rise of men’s teams in this traditionally female sport. We tried to capture the Roller Derby culture with grungy 16mm film overlays and an eclectic mix of colors, switching from black and white, back to color. This, combined with the use of stock footage, the Whip It trailer and choice of music really help to sell the vibe and sensibilities of roller derby.
A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.
All the legendary women of rock 'n' roll are brought together in this stunning collage of artists and their music. Through a music-driven mix of rare historical footage, music videos, riveting live performances and personal interviews, the lives and times of the greatest women in rock history are revealed.
Women talk about the circumstances that drove them to seek illegal abortions and the often traumatic result. Interwoven with historical photographs and newsreel footage, the stories expose how the reality of women's lives were counterposed to what was socially and morally expected of them.
Nasim is a free climber, the only woman able to open new routes in Iran. She’s facing a double mountain to climb, both physical and cultural, as her passion collides with the strict policies concerning women freedom in her country. And she has a dream: open a new route in the Alps.
Focuses on one of the most talked about and important issues of our time – how to find yourself and your truth. It follows model and transgender activist Munroe Bergdorf’s journey and provides hope for those facing similar challenges.
Three months before the 2019 World Cup, the U.S. Women’s National Soccer Team filed a gender discrimination lawsuit against the United States Soccer Federation. At the center of this no-holds-barred account are the players themselves–Megan Rapinoe, Jessica McDonald, Becky Sauerbrunn, Kelley O'Hara and others–who share their stories of courage and resiliency as they take on the biggest fight for women's rights since Title IX.
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.
“Touch one, touch us all” is a slogan of the women who took over the streets in Brazil and organized themselves in social networks to face male chauvinist and conservatism. Through testimonies of women who have been subjected to violence, the documentary reveals that, despite legal achievements, the woman still remains vulnerable. Amongst other deponents are Maria da Penha, Joanna Maranhão, Luíza Brunet, and Clara Averbuck.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
Survivor Abduweli flees a Chinese Uyghur internment camp to Norway. Now, heading to Germany to confront a past torturer, his daughter’s panic attack forces a choice: exposing Uyghur genocide for the world, or shielding his family from painful memories.
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.