
The Turn-of-the-Century Blind Man (1898)
A blind man begging for change tries to outsmart a cop. There is no known director for this film, although the attribution goes either to Georges Hatot or Gaston Breteau.

A blind man begging for change tries to outsmart a cop. There is no known director for this film, although the attribution goes either to Georges Hatot or Gaston Breteau.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Two women, one American and one British, swap homes at Christmastime following bad breakups. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.

Ben Holmes, a professional book-jacket blurbologist, is trying to get to Savannah for his wedding. He just barely catches the last plane, but a seagull flies into the engine as the plane is taking off. All later flights are cancelled because of an approaching hurricane, so he is forced to hitch a ride in a Geo Metro with an attractive but eccentric woman named Sara.

Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.
After her boyfriend mysteriously vanishes, Elli DeCosta’s personal heartbreak escalates into an international adventure involving Russian agents, the CIA, and a journey to rediscover her voice when he suddenly resurfaces months later.

The story of three couples, one of which just broke up, one that seems to be about to, and one perfectly okay. They are all friends, and from time to time, they gather to talk about everything. One time, they gather for dinner at the second couple's "mansion“— the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships. At the dinner, they get to talking about recognizing each other's peer with closed eyes and decide to try it, naked.

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.

Inkeri, 75, has hit her husband on the head with a solid iron frying pan and is planning to bury him in their garden. Before facing the rest of her life in prison, there may yet be a moment left to really live. Inkeri makes her sisters Sylvi and Raili join her on a trip to the Koli National Park. Will Inkeri find in her that free young woman who desired a feminist revolution in the 70s?

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

When housewife Trina wins the lottery, her comfortable life with her dentist husband John slowly deteriorates, in part by her own increasing paranoia and partly by the machinations of villainous acquaintance Marcus.

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

During their investigation into a toxic waste scandal, Yousseff and Anne Marie Fuchs' client are found dead, and the two detectives find themselves in a life-threatening situation.
An unmarried actress in Munich becomes pregnant but decides against marrying the child's father, and eventually moves in with a more agreeable man she meets on a winter sports holiday.

A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.

In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Anna is persuaded by her boyfriend Paul to move from Berlin to his home town of Imma. What the notorious soccer hater doesn't know, however, is that joining his best friend Steffen's law firm is just a pretext. In reality, Paul and his buddies are there to save the soccer club he co-founded, Eintracht Imma 95, from relegation. Anna soon realizes that the players' wives have nothing to say to their soccer junkies: Artificial turf in the bedroom, Effenberg bedding and weekends on the soccer pitch. When she finds out the real reason for the move, she mobilizes her fellow sufferers to counter-attack after a fierce bout of frustration and challenges Paul and his friends to the ultimate duel on the soccer pitch. The bet is on: women against men. If the women win, soccer is over - and Paul has to go back to Berlin with Anna. Forever. If the men win, there will be no more complaining.

Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.