Pride of India: Shama Zaidi (2011)
The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.
Top billed cast
Shama Zaidi
M.S. Sathyu
Shyam Benegal- Gary Richardson(narration)
Similar to Pride of India: Shama Zaidi
Wagah (2009)
Each night the only border crossing between India and Pakistan on a 1000km stretch becomes the sight of an extraordinary event. Thousands of people gather to witness the ritual closing of the border, after which the masses get as close as possible to the gate to greet their former neighbors. This "festival" is therefore on the one hand a celebration of the partition, but on the other hand also the only connecting element. What do the terms separation, home and proximity mean to the people on both sides?
Machines (2017)
This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.
The World Is Family (2023)
Esteemed documentarian Anand Patwardhan directs a portrait of his parents, whose families were intertwined with Gandhi and India’s independence movement. His view on history extolls unity between Hindus and Muslims, a value that needs reasserting in modern politics.
To Be Continued (2007)
An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.
Kaagaz Ki Kashti (2016)
Documentary on the life of ghazal samrat Jagjit Singh, who changed the landscape of Indian Music.
Mati Manas (1985)
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Jamna - The River Story (2023)
The river Yamuna, known to the locals as 'Jamna', the lifeline of Delhi, is going through a major crisis due to pollution, mismanagement and sheer ignorance. A documentary crew tries to make sense of the situation by talking to different stakeholders and Shyam - a boatman who relies on the river for his livelihood.
Beyond Ratings (2024)
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
Brand Bollywood Downunder (2023)
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.
Writing with Fire (2021)
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
India Cabaret (1985)
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
Dastaan-E-Rafi (2016)
The biography of one of the greatest playback singers of Hindi cinema, Mohammed Rafi is a trip down memory lane. Fans of Rafi will love Dastaan E Rafi, a biography of celebrated singer Mohammed Rafi that showcases the celebrated singer’s extraordinary journey. The award-winning film by Shemaroo traces his life from his birth in Amritsar, to his struggle in Bombay before he got his break and his rise to stardom.
BOMgAY (1996)
Based on the poetry of R. Raj Rao, Bomgay is a collection of six vignettes that depict the underground and complex nature of the gay identity in urban India. Part Genet, part Bollywood, this film combines acidic verse and insightful imagery to reveal the emerging gay community in the post-liberalized India of the 1990s.
A Fly on the Wall (2024)
Follows the final days of Chika Kapadia, given four months to live, who has chosen to end his life through physician-assisted suicide at Dignitas in Switzerland. The filmmakers, tasked with documenting Kapadia’s countdown to death, capture both his journey and their own emotional response.
Bhuj: The Day India Shook (2021)
The documentary talks about of the devastating earthquake of 2001 and captures first-person accounts of survivors, rescuers, journalists, photographers, and earth scientists.
Until I Fly (2024)
A charismatic Indian-Nepali boy, lives a bohemian life in a remote Himalayan village. As he transitions from childhood to teenagehood, his poetic journey of perseverance echoes issues that span across ages and communities.
Kabzaa (2024)
Amidst the urban transformation driven by progress, bulldozers dismantle 'illegal' settlements, leaving countless lives shattered. In the aftermath of such upheaval, one basti, sacrificed to conceal poverty during the G20 summit, and another basti, abandoned by authorities without alternative housing, illustrate the stark realities of displacement. The film delves into the daily struggles of individuals who persist in the rubble of their former homes.
Nocturnes (2024)
In the dense forests of the Eastern Himalayas, moths are whispering something to us. In the dark of night, two curious observers shine a light on this secret universe.
Invisible Demons (2021)
A prismatic meditation on pollution in the capital of the World’s biggest free-market democracy and the most polluted and populated city, Delhi – a film about the pollution inside of the human mind.
The Turn (2016)
'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.