The story of Nina, a young woman who dreams of glory and whose dream turns into a nightmare. The story of Treplev, a young poet crushed by an invasive mother, who wants to prove to the world that he exists, that he deserves to be loved. Chekhov invites us to witness a moment in the lives of individuals who have made a choice, and will have to live with the consequences...
Carla FloresTreplev (1)/ Chamraev (2)Mélissa GiboreauNina (1)/ Yakov (2)Sébastien Del PuertoTreplev (2)/ Chamraev (1)Juliane RabévoloNina (2)/ Yakov (1)Katia AbbateArkadinaÉlise BlainTrigorineAlice AssafMachaAriane JarrigePaulinaAymeric BesseauDornAmandine LaunaySorineWhen a script is unexpectedly switched, a dyslexic actor struggles to navigate his conservatory audition. Mixing the Greek myth of Chiron and the textures of off-off-Broadway theater, "All the Words on the Page " is an anxious tale about wrestling with an invisible disability.
After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Back in prison, Didrik, 33, discovers a new way of expression and happiness through theatre and acting, and starts looking back at his past and upbringing with a sadistic mom and bullying peers.
Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.
The theatre as a courtroom, the courtroom as a theatre. Alejo Moguillansky’s film draws loosely on Raúl Quirós Molina’s El pan y la sal (The Bread and the Salt), a 2015 verbatim theatre piece compiled from the testimonies provided during the 2012 trial of Judge Baltasar Garzon, for investigating the forced disappearances of the Spanish Civil War and the Franco regime. Juxtaposing the testimonies of the relatives of those who lost loved ones with references to Argentina’s and Chile’s recent dictatorships, this film explores issues around international law and forced disappearance - tracing a line between Francisco Franco, Augusto Pinochet and Jorge Videla’s Military Junta: Garzón has investigated Argentine torturers and criminal perpetrators and had Pinochet arrested in London in 1998 for crimes against humanity.
John Gabriel Borkman, a former bank director, was imprisoned for fraud but believes he was wrongly convicted. He had invested clients' money in a major industrial venture but was reported by his friend Hinkel, who was in love with Borkman's former fiancée, Ella Rentheim. Borkman now lives on the first floor of the house, with his estranged wife, Gunhild, living on the ground floor. He occasionally receives visits from his friend Wilhelm Foldal, who supports Borkman's delusion that the bank will reinstate him. In his youth, Borkman betrayed his love for Ella by marrying her twin sister Gunhild to advance his career. After his conviction, Ella took care of their son Erhart and now wants him to live with her and take her name. Borkman agrees, but Gunhild refuses to let her sister take their son.
Victor, a disillusioned 60-something whose marriage is on the rocks, opts to relive the week of his life when, 40 years earlier, he met his true love through a company that allows customers to return to the time period of their choosing.
Lillian Hall, a Broadway actress, has never missed a performance throughout her long, illustrious career. Yet in rehearsals for a new play her confidence is challenged. People and events conspire to take away her ability to do what she loves most.
An actor has been stuck in one of their roles for some time and is unable to separate themselves from it. The actor’s professional and personal life is affected by this role, and they can no longer distinguish between who they are and the character they play. They see eliminating themselves as the only way out of this crisis. Winner of the statuette and honorary diploma for Best Play in the playwriting section of the 38th Fajr International Theater Festival in 2019.
Before an important audition, a mute theater student summons his five core emotions as he deals with the loss of a close friend.
A committed dancer struggles to maintain her sanity after winning the lead role in a production of Tchaikovsky's "Swan Lake".
The last vestiges of a family that has gone from cherry season to sorrow... Madame Ranevskaya is a spoiled, aging aristocrat who, upon returning from a trip to Paris, must face the loss of her magnificent Cherry Orchard estate after defaulting on her mortgage. In denial, she continues to live in the past, deluding herself and her family, while the magnificent cherry trees are chopped down by the new owner Lopakhin, her former serf, who has his own agenda.
Egocentric stage actor Marcin has to face the unexpected breakdown of a long-term relationship. During three different performances, fantasy mixes with the prose of the life of a separating couple.
Premiering on BBC as a part of their Sunday-Night Theatre program, this 1955 adaptation of Shakespeare's classic play closely follows the original text. The Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
Ian, a commercially successful stage director, mounts an avant-garde production of "Othello" for the sole purpose of destroying Tyson, the actor who stole his fiancee Anne from him. Fanatic in his commitment to art, personal integrity and Zen Buddhism, Tyson makes the mistake of accepting the role of Othello in good faith at Anne's urging, only to find himself trapped in Ian's vengeful scheme, an escalating nightmare of absurdly bad theatre that threatens to spin out of control and push them all to the breaking point.