Wisconsin Crisis: Why it matters to Alberta (2011)
An in-depth look at the early 2011 crisis for public sector unions in Wisconsin, and why it matters in Alberta.
An in-depth look at the early 2011 crisis for public sector unions in Wisconsin, and why it matters in Alberta.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.
“Looks at the impact key movements throughout U.S. history have had in shaping our society, laws and culture. From the labor movement of the 1880s, women's suffrage and civil rights, to the LGBTQ+ and Black Lives Matter movements, protest is in the American DNA and this documentary gives an unfiltered look at the ways it has evolved the world in which we live.”
History of US labor movements and their suppression. It includes sections on the American Constitution; the Civil War draft riots; Reconstruction; Industrialization; the evolution of the police; the robber barons; early American labor unions; and major mid-to-late 19th Century labor events including the uprising of 1877, the Haymarket Affair, the Homestead strike and the New Orleans General Strike. The introduction examines the West Virginian coal wars of the early 20th Century, culminating in the Battle of Blair Mountain.
The super-rich determines virtually every aspect of the lives of the other 90% of Americans. This film examines the hidden struggles of American families, the calculated political maneuvers of the elite, and the long overdue uprising of American workers. With affection for the middle-class and the outrageous attempt to color them as lazy, the film explores the question: How do we make sure workers are paid what they are worth, instead of believing they are only worth what they are paid?
The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Presents a case history of a grievance case from the initial causes to the final settlement. Shows how grievance hearings enable labor unions and management to arrive at compromises in settling disputes.
In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.
A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.
Summer 2017, a string of brutal police killings of young African American men has sent shockwaves throughout the country. A Black community in the American South tries to cope with the lingering effects of the past and navigate their place in a country that is not on their side. Meanwhile, the Black Panthers prepare a large-scale protest against police brutality.
At the forefront of most of Hong Kong's demonstrations, 'frontliners' (aka 'the valiant', yung mo in Cantonese) are the black-clad, masked, often armed youth willing to use violence against the HK government and its heavily-armed police force. Willis Ho's remarkably revealing doc approaches from the inside, giving them voices and offering understanding, not judgment.
This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.
The video documentary "A Struggle to Remember: Fighting for Our Families" puts faces and narratives to the story of the struggle for family leave in Canada. The 20-minute film shows how it became accepted that women be able to return to their jobs after maternity leave and how men and women gained real and enforceable work-life balance provisions.
The moment where American sprinters Tommie Smith and John Carlos raised their gloved hands in defiance on the podium at the 1968 Mexico City Olympics is one of the most memorable images in sports history. But there is a third man in the photo, the white Australian who finished second to Smith and ahead of Carlos in the 200 meters. His name is Peter Norman, and he stands in quiet solidarity with them. Norman’s story is retold in this film with passion and perspective.
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.
Inspired by the book of the same name, film-maker James Marsh relays a tale of tragedy, murder and mayhem that erupted behind the respectable facade of Black River Falls, Wisconsin in the 19th century.