
A Bad Name (2024)
Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”
Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
C1RCA Footwear presents it's full length video with team members Adrian Lopez, Jon Allie, Colt Cannon, Peter Ramondetta, and others.
Afatasi The Artist is a San Francisco based mixed-media conceptual artist and futurist. Her artwork—which includes textiles and fine art tapestry, small paintings and murals, metal work and clothing design—is a continuous exploration of the intersectionality of race, culture, gender, class, and geopolitics. “I like to create these things because there were so many who weren’t allowed to live this loudly,” Afatasi says, "and I know how much better the world would be if they had.”
Since its opening in 1948, The Farnsworth Art Museum has been a source of community pride and a beacon that draws visitors to Rockland each year. Told through first person interviews with Rockland natives and residents, historical photographs and footage, the film follows the museum’s growth from the reading of Lucy Farnsworth’s will, through the construction of the museum facility, to the internationally renowned institution that it is today.
Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner's doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
Adlon recounts the making of the sculpture, "Kugelkaryatide" the sphere that stood in the center of Tobin Plaza between the two towers of the World Trade Center. The film follows the sculpture from its creation as the largest bronze sculpture of recent times to the aftermath, where it now stands, heavily scarred, in Battery Park.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.
The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.
At Ella Hill Hutch Community Center in the Fillmore, magic is happening. Throughout the 2024 school year, Magic Zone students in Citizen Film's filmmaking and media production class collaborated in painting murals that represent their community, cultivating a beautiful garden, learning how to cook nutritious meals and documenting community stories through still photography, video and graphic design.
In 2018 Japan’s NHK television network was given unprecedented access to the Freer Gallery of Art’s collection of works by Katsushika Hokusai so they could film the details of paintings using a state-of-the-art 8K video camera. The resulting documentary is hosted by actor Iura Arata and features commentary from the James Ulak, former curator at the National Museum of Asian Art, and Tim Clark, former curator at the British Museum. The film’s intended premiere in April 2020 was canceled due to the pandemic. We are proud to finally screen it. Explore masterpieces at a never-before-seen level of detail and enjoy new insights into the artist’s genius.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Roadsworth: Crossing the Line details a Montreal stencil artist's clandestine campaign to make his mark on the city streets. As he is prosecuted at home and celebrated abroad, Roadsworth struggles to defend his work, define himself as an artist and address difficult questions about art and freedom of expression. - Written by Loaded Pictures