Top billed cast
Yoo Hai-jinVillage chief
Park Ji-hoonKing Danjong
Yoo Ji-tae
Jeon Mi-do
Kim Min
Lee Jun-hyuk
Park Ji-hwan
Similar to The Man Who Lives with the King
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When Huh Saek decides to become a male gisaeng, he captivates countless women with his looks and talents but doubts the existence of true love — until he meets a girl with progressive ideas.
The Fortress (2017)
Ancient Korea, 17th century. The powerful Khan of the Jurchen tribe of Manchuria, who fights the Ming dinasty to gain China, becomes the first ruler of the Qing dinasty and demands from King In-jo of Joseon to bow before him; but he refuses, being loyal to the Mings. On December 14th, 1636, the Qing horde invades Joseon, so King In-jo and his court shelter in the mountain fortress of Namhan and prepare to defend the kingdom.
The Last Empress (1966)
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Painted Fire (2002)
In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.
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King Sukjong exalts a greedy concubine to the status of Bin, which is next to that of the Queen. The new Bin, who is now called Jang Hui-bin, drives out the Queen through a coup and takes her place. But thanks to loyal court officials, the King finds out what has been going on. He demotes Jang to Bin again and reinstates his Queen. Jang, now vindictive, conspires with her mother to kill the queen and reclaim her place. But the conspiracy is brought to light, and Jang is executed.
A War Diary (1978)
Admiral Lee Sun-shin designs and builds the 'Turtle Ships' in preparation of the Japanese invasion during the Injin War. He is promoted after his victories, but due to his expanding influence and increased popularity in military circles, the king comes to fear him and has him imprisoned. A year later, the Japanese navy attempts another invasion and the king is required to enter the prison and beg the admiral's assistance.
The Fatal Encounter (2014)
Late 18th-century Joseon dynasty. The King is beleaguered and surrounded by traitors of the ruling elite. They plan to assassinate and replace him with a puppet. But the King has some aces up his sleeve that may help him defeat them all.
Crimson Moon (2015)
Crown Prince Sado spirals down due to his own insanity and his father King Yeongjo's complex.
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In the era of corruption, Hak-gyu sings songs and tells stories on the street with his band. One day, Hak-gyu's wife Gan-nan is kidnapped by gangsters and his daughter Cheong loses her eyesight after the incident. He decides to travel in search of his missing wife and learns that corrupted noblemen are behind the mob.
Prince Daewon (1968)
When King Cheol-jang dies, the throne passes to his son King Ko-jang but, because he is considered to be too inexperienced, his ambitious uncle rules as regent. The rightful king's wife, the politically brilliant Queen Min, refuses to accept this situation and brings about the uncle's exile in order to secure the throne.
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The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?
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A servant falls in love with a girl whom his master also desires. Although the girl loves the servant, she also longs to improve her station in life.
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Hwang Jin Yi (2007)
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