
The Flow of Resilience (2024)
The film weaves together the filmmaker's introspections with survivor's collective memories. Amid deciphering a diary, the filmmaker reflects on personal encounters.

The film weaves together the filmmaker's introspections with survivor's collective memories. Amid deciphering a diary, the filmmaker reflects on personal encounters.

This short documentary revisits Mi’kmaq territory, where an iconic moment was captured in 2013—igniting into a symbol of Indigenous resistance and halting fracking exploration on unceded lands.
This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.

In 1953 the Canadian government relocated Inuit families from Northern Québec to the High Arctic, promising an abundance of game and fish and assuring them they could return home after two years if things didn't work out. They would not see their ancestral lands for 30 years. Abandoned in flimsy tents, the Inuit were left to fend for themselves in the desolate settlements of Resolute Bay and Grise Fiord, where the sea was nearly always frozen and darkness reigned for months on end.

Documentary relating Ingmar Bergman's life, from his high school graduation up until he became an established filmmaker in the latter half of the 40's.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

For over thirty years, between Paris and Rome, Chloé Barreau has been filming her love life. While in a relationship, she would already build its memory by filming, taking pictures, writing about it… but what do her exes remember? What is their side of the story? This film traces a woman's life, based exclusively on the interviews of people who loved her. Intimate testimonies and private items reveal the universal paths of the feeling of love.
The Pine Ridge Indian Reservation has declared a “State of Emergency”, after an outbreak of youth suicides has devastated the community. Due to a lack of Federal assistance, residents have taken prevention efforts into their own hands. A tenacious Oglala Lakota elder takes charge, rallying the community to get involved, while empowering a resilient young group of suicide survivors to band together to help raise awareness.
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.


A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.
Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.
Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.
In the early 1960s the Canadian government conducted an experiment in social engineering. Three young Inuit boys were separated from their families in the Arctic and were sent to Ottawa, the nation's capital, to live with white families and to be educated in white schools. The consequences the experiment would have on the boys, their identity and culture was brushed aside. The bureaucrats did not anticipate the outcome. The three grow up to be political activists and leaders - often at odds with the government that brought them south. They establish aboriginal rights in Canada and are instrumental in the creation of Nunavut, the world's largest self-governed aboriginal territory. But it all comes at a tremendous personal cost. Peter Ittinuar, Zebedee Nungak, and Eric Tagoona recount their stories, achievements and challenges in this film about an attempt at assimilation, empowerment, and the triumph of the human spirit.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
In the swirling volcanic steam and misty rain forest of Kilauea volcano’s east rift zone on the island of Hawai’i, two forces meet head on. Geothermal development interests, seeking to clear the rain forest for drilling operations, are opposed by native Hawaiians seeking to stop the desecration of the fire goddess, Pele. Pele is a living deity fundamental to Hawaiian spiritual belief. She is the eruption, with its heat, lava and steam. Her family takes the form of forest plants, animals and other natural forces. But geothermal development interests see Pele as simply a source of electricity. When Hawaiians take the issue to court, they find that nature-based religions are not respected by U.S. law.

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.