Kulla Kulli (1980)
A man and woman, who always quarrel, open their driving schools, individually, and compete with one another. Eventually, they realise they have feelings for each other.
A man and woman, who always quarrel, open their driving schools, individually, and compete with one another. Eventually, they realise they have feelings for each other.
DwarakishKrishna alias Kulla
LeelavathiKrishna's Mother
T. N. BalakrishnaVenkateshaiah
PrabhakarJeeva
SudharaniYoung Chitra
Uma ShivakumarSundari
Thoogudeepa SrinivasGym Trainer
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.

A left-wing journalist whose wife died while giving birth to his son during a military coup returns to his family's farm. Estranged from his father for turning his back on the family and wasting his life with political activism instead, he tries to reconnect with him so that his son will have a place to live as his health is deteriorating due to the extensive torture he had to endure.
Wendy's quest for love leads her through toxic relationships, unwittingly exposing her children to turmoil. Back home, a shocking revelation - her brother Uncle Willie's dark influence over her vulnerable kids.
An honest driver tries to bring his corrupt employer to justice. However, things get complicated when he learns that his employer is actually his biological father.
Kula Gourava is a 1971 Indian Kannada language romantic drama film directed by Peketi Sivaram and written by G. Balasubramanyam. It stars Rajkumar in triple roles along with Jayanthi and Bharathi. The film was produced under Sri Eswari Productions of N. Veeraswamy. It had a very successful soundtrack composed by T. G. Lingappa. Popular actor-director V. Ravichandran, son of the film producer Veerasamy, appeared in the film as a child artist. The film swept 5 awards at the 1970-71 Karnataka State Film Awards including the best film, best actor, and best editor categories.

In the wake of their parent's separation, three siblings spend the summer in the south of France with their estranged Grandfather. In less than 24 hours, a clash of generations has occurred between the teenagers and the old man. During this turbulent summer, both generations will be transformed by one another.

Two estranged brothers born on the same day, five years apart, run into each other at their family vacation home with wildly different expectations for how their birthday weekend is going to play out.
The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.
Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.

Set in Tokyo in 1940, the peaceful life of the Nogami Family suddenly changes when the father, Shigeru, is arrested and accused of being a Communist. His wife Kayo works frantically from morning to night to maintain the household and bring up her two daughters with the support of Shigeru's sister Hisako and Shigeru's ex-student Yamazaki, but her husband does not return. WWII breaks out and casts dark shadows on the entire country, but Kayo still tries to keep her cheerful determination, and sustain the family with her love. This is an emotional drama of a mother and an eternal message for peace.
A courageous woman leaves her abusive husband, builds a successful career, and finds love where she least expects it.

A comatose five-year-old girl journeys through a dark industrial dreamscape, following her mother's voice on a transistor radio to find her way back to consciousness.


A family's harmony is disrupted when the patriarch falls ills and the youngest son inherits ownership of their humble mom-and-pop shop.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

A family's palatial lifestyle and estate are stolen from them in an attempt to frame them for a crime they did not commit.

It's the summer after high school graduation and Gabriela, a young undocumented Guatemalan woman, pursues her dream of swimming for an illustrious Country Club swim team. Despite her single-minded determination, Gabriela is continually confronted with her overprotective mother’s ears, limitations on her economic and legal status, and self-judgment. As she questions her self-worth against the structures of contemporary American Southern life, Gabriela embarks on a quest towards personal freedom and self-acceptance.
Two sisters have a petty argument.


Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga.