The 'bertsolari' is a kind of minstrel sings and improvises verses in Basque. This oral tradition has evolved with the times and connecting with younger generations, getting to meet at the end of the last championship to 14 thousand people. An austere aesthetic art of surprising in this age of spectacle and special effects.
Maialen LujanbioAndoni EgañaJoseba ZulaikaJohn Miles FoleyMiren AmurizaJon SarasuaDocumentary on the life of the Basque shepherd and oral improviser (or 'bertsolari') Fernando Aire (1920-1976), known as 'Xalbador'.
Rafael, a Seville citizen who has never left the Spanish region of Andalucia, decides to leave his homeland to follow Amaia, a Basque girl unlike other women he has known.
In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.
Beirut lies in ruins. After the explosion in the city's port, collective trauma rises to the surface. How can life succeed after such a tragedy? The film carefully observes the following three years and zooms in on the lives of Aya - a Syrian refugee girl, Selim - an activist and painter, the Aladdin family - mourning a tragic loss, Yasmin - picking up calls at a suicide prevention hotline, and Andrea - who still believes in the city's spark for change. Meanwhile, a smoldering fire keeps on lingering in the port’s silos like a cautionary tale. Is it time to leave?
From masterminding Bill Clinton’s 1992 presidential win to his insurgent role in the 2024 race, Democratic strategist James Carville has been one of the most influential forces in modern political history. The “Ragin’ Cajun” looks back at his unlikely career and 30-year marriage to Republican consultant Mary Matalin. Featuring interviews with Bill Clinton, George Stephanopoulos and more.
Diagnosed with an incurable disease, an American mother and medical doctor develops an unconventional approach in the hopes to save her own life.
The British ITV channel specially broadcasts Tom Daley's latest documentary, looking back on Daley's training and life in the four years since the last Olympic Games. This is also the first time he and his fiance and Oscar winner Dustin Lance Black have framed a documentary. The two looked back on the process of meeting and falling in love, the ins and outs of Daly's difficult decision to come out, and how he returned to the platform now is all the credit of Lance. The engagement of the two was blessed by the family and the whole team, and all kinds of loving interactions were sweet and touching. And Daley's latest jumping method "Fireworks", which incorporates traditional Russian acrobatics, also appeared in the documentary. Hope to see this different firework at the 2016 Rio Olympics.
With over 23 years in the business, Bruce Joel Rubin has done it all. From his Oscar-winning screenplay for the romantic-comedy-drama Ghost, to the psychological thriller Jacob's Ladder, the family-friendly adventure Stuart Little 2, and the tearjerker My Life, which he also directed. In this in-depth interview, Rubin delivers some insightful stuff: his carpet-laying theory about writing, the story behind the Jacob's Ladder gut-wrenching opening scene, and which of his screenplays came about thanks to a burrito that didn't digest well.
While undergoing treatment himself, comedian Rhod Gilbert goes on a frank, revealing, and frequently funny journey into the world of male infertility. Rhod also meets a man whose wife had eight years of treatment before they discovered that he was the one with the fertility issues.
David Seltzer knows Hollywood. He knows the business, the tricks of the trade and all the hidden truths. He's got the stories from working with Jacques Cousteau, penning the horror classic The Omen and adapting Roald Dahl's Willy Wonka and the Chocolate Factory. He can tell you why writing is like love-making and why there is no such thing as fiction. His advice about directing? Wear comfortable shoes. In this interview, you'll learn that and more, including what recent screenplay is the most elegant he has ever heard spoken on-screen and why you don't win arguments with movie stars.
Simon Kinberg recently burst onto the scene with his script for XXX: State of the Union, and has since worked on comic-to-film adaptations for Elektra and Fantastic Four and penned the third film in the X-Men series, X-Men: The Last Stand. Kinberg's breakthrough hit, Mr. and Mrs. Smith, began as a script that he wrote in college and became one of the top grossing movies of 2005.
Susannah Grant received an Oscar nomination for her screenplay for Erin Brockovich, an inspirational story based on the life of a working-class heroine. After her nomination, she went on to adapt In Her Shoes and Charlotte's Web, as well as write and direct Catch and Release. Here, Grant goes into the midwife vs. mother role of novel adaptations, the importance of finding your voice and why sometimes you just have to be able to really, really suck.
Poised to become one of the most successful screenwriting teams in Hollywood, Alex Kurtzman and Roberto Orci are certainly in striking position. A team who became just that after meeting in high school, they have frequently collaborated with writer-director J.J. Abrams and director Michael Bay. As a team their screenwriting credits include The Island, The Legend of Zorro, Mission: Impossible III and the upcoming Star Trek XI.
NIA VARDALOS was nominated for the Academy Award® and the Writers Guild Award in 2003 for her breakthrough screenplay My Big Fat Greek Wedding, which was based on her one-woman play. The film became the highest-grossing independent feature and turned her in to an overnight success, spawning a follow-up sitcom and a cemented spot among Hollywood s elite writers. Listen as she talks candidly about her favorite laugh, tapping into her inner guy, and why her take on the hardest part of screenwriting just might make you blush.
Jeff Nathanson is easily among the A-list of Hollywood screenwriters, His script for Catch Me If You Can earned him much critical praise, as well as the devotion of Steven Spielberg, who also brought him to work on his next movie, The Terminal. Nathanson has also collaborated with Jan de Bont on Twister and Speed 2: Cruise Control and with Brett Ratner on the Rush Hour films. In this interview, learn more about why he dreads pitching, never speaks during a notes meeting, and finds he can do almost all his research with the Internet and old Playboys.
Hamburg wrote and directed the crime comedy Safe Men, which played at Sundance and spawned a devoted cult following. A sure-thing comedy closer, the New York City native built hilarious set pieces and character work into Meet the Parents, Zoolander, and Meet the Fockers that not only helped lift them to huge box office but also pushed a few new catchphrases into the American lexicon. A veteran of the uncredited production rewrite, Hamburg also wrote and directed the romantic comedy Along Came Polly in 2004. In this amusing interview, Hamburg discusses how he developed his talent for writing actor-hooking dialogue in the humorous monologues he performed in college, why he'd do a thousand test screenings if he could, and what it's like to hand a new scene to Robert De Niro and stand there waiting to see if he likes it.
Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.
After taking a DNA test, Latin America's most decorated artist – René Pérez (AKA Residente) – embarks on a global adventure to trace the footsteps of his ancestors and record his latest album.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.