
Automagic (2025)
On his return home, androgynous-looking Madhu attempts to seduce Ratnakar, his rickshaw driver, who is practicing celibacy in preparation for a religious pilgrimage.
On his return home, androgynous-looking Madhu attempts to seduce Ratnakar, his rickshaw driver, who is practicing celibacy in preparation for a religious pilgrimage.
Two childhood best friends are asked to share a kiss for the purposes of a student short film. Soon, a lingering doubt sets in, confronting both men with their preferences, threatening the brotherhood of their social circle, and, eventually, changing their lives.
A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.
The story is that of a conniving countess coming between a gay sculptor, Claude Zoret, and his bisexual model and lover, Mikaël, ultimately leading to Zoret's death in a raging storm at the base of a statue of Mikaël as the mythological Icarus. The film is missing 19 minutes of run time.
The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.
The car repair shop is their second home and their colleagues are like family. Everyone has their quirks and is accepted for the way they are. But then comes the bad news: they are soon to be squeezed out by a more lucrative new building project.
A film about a girl drawn to a golf course.
One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.
After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.
Cody is a recovering opiate addict in rural Ohio, 45 days clean and enlisted in a strictly enforced drug court programme by the county government. Local sober-living facilities are full, so Cody is living in his car on the outskirts of town and working at the nearby lumber mill to save money and keep busy. But his past doesn't want to forget him.
Benny Rubin promotes a wrestling show but ends up wrestling Constantine "Strangler" Romanoff himself.
1935 Los Angeles, community leader Sei Fujii uncovers the corrupt activities of his community's underground mafia. He must choose between saving the face of his deteriorating community and confronting the issues head on through his newspaper. Based on a true story.
In this adventure of imagination, young Tess, a shy girl of 13, discovers a new meaning for love on Valentine’s Day. Through a very special book, she meets the third century martyr Valentine and his Christian friends. They show her what it means to love others as Jesus loves us, and to receive that love in return. Jonathan Farwell and Kaleena Kiff star in this fresh and inspiring story of the origin of Valentine’s Day.
Martina and Sofía love each other and want to start a family, but the process is proving to be difficult and expensive… very expensive. Martina naively makes a reckless decision: she devises a crazy plan to get pregnant and she succeeds. Now he has two serious problems to solve: first, that Sofía never agreed with the plan and she is very furious, and second, that the "plan", whose name is Facundo, wants to enter their lives since he has just discovered his unexpected paternity.
Ramón Aguirre is an old actor from the time of the Mexican Golden Cinema, whose years of fame are completely over. Locked away in his apartment in Tacubaya, afflicted by his unfortunate physical condition, as well as by the resounding change suffered in his city, Ramón only has two hobbies left, writing his memories and regrets in a small diary, mainly that of having lost the love of his life, Silvia, and spy through a small crack on his neighbor, Pedro, who is a writer who suffers from artistic block and constant phone fights with his fiancée, and with whom Ramón has developed a peculiar bond, despite of never having exchanged any word.
Johanie, the single mother of a dysfunctional family, takes a dim view of the arrival of Ian and his dog in the neighborhood. Like a trench dividing the two camps, the back alley becomes the witness of a rivalry where prejudice, fascination and frustration mingle slyly with the sound of barking.
Today is a big day, it's Pepper's estranged son's birthday. He disowned her 20 years ago for becoming a drag queen. A chance meeting with Charlie, an eight-year-old boy, reminds her the importance of family and doing the right thing.
Marcel the shell gives an outline of his life.
An elegant, abstracted expression of provincial life in which ordinary everyday details become frozen and magnified as its young protagonists find themselves implicated in a moment of sheer madness.