A story about acts of terrorism that have impacted Denmark over the past 30 years—from the bombings in Copenhagen in 1985 to the attacks at Krudttønden and the Synagogue in 2015. A story told by the officials and politicians who bore the responsibility for the safety of the Danish population in the most critical moments. How did they react when terror came to the country?
Frank JensenSelf - Vicekriminalinspektør, PET (1985-1988)
Hans EngellSelf - Forsvarsminister (1982-1987)Hans Jørgen BonnichsenSelf - Operativ chef, PET (1997-2006)Birgitte StampeSelf - Chef, PET (1993-2002)Villy SørensenSelf - Vicepolitimester, Århus Politi (1981-2006)
Frank JensenSelf - Justitsminister (1996-2001)
Mogens LykketoftSelf - Udenrigsminister (2000-2001)
Morten LøkkegaardSelf (archive)
Per Stig MøllerSelf - Udenrigsminister (2001-2010)
Anders Fogh RasmussenSelf (archive)
When a woman becomes possessed by an evil spirit, a team of horror-mystery journalists goes to the village that the spirit came from to try to free her.
When Danish filmmakers Mira Jargil and Christian Sønderby Jepsen try to find balance in their stressful lives, they seek guidance from a renowned Danish HIV researcher turned monk deep in the mountains of Sri Lanka. But their filming process goes differently than expected. When they hear that the renowned Danish doctor and HIV scientist Jan Erik Hansen has burned all boats to live as a Buddhist monk on a mountain in Sri Lanka, the two Danish documentary makers Mira Jargil and Christian Sønderby Jepsen decide to make a film about him. to make. Jan Erik Hansen, as monk Bhante, has become an important voice in the Buddhist community. He has a YouTube channel with many followers, and people from all over the world ask him their life questions. The film project ends unexpectedly when the monk and the filmmakers appear to have different ideas about the film.
The relationship between Greenland and Denmark is full of fantasy and myths. And these are exactly what Danish artist Lasse Lau reflects upon – and in turn documents – in his first feature-length film. But how do you give a form to the Greenlandic experience when you are an outsider yourself? Lau has created a sensitive film about authenticity and recreation by letting both elements become a part of the work, together with his performers. But also by watching and listening intently. The colonial history is entrenched in both Greenland's infinitely beautiful landscapes and in the collective consciousness. But so is the willingness to break with it and look ahead with a new political self-awareness. 'Lykkelænder' is the result of a long-term research project, but talks about its extremely complex topics in a way that grounds the postcolonial perspective in a recognisable life experience. It does so with both a sense of humour and with emphasis.
Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.
You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it's over, you are changed, abandoned, and left wondering what is real and what was merely a game.
The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."
Tommy Seebach Mortensen; or just Tommy Seebach to the whole nation; were born in Copenhagen in 1949 and passed away far too early in 2003. "Tommy" received four stars out of six by Politiken,[6] Berlingske Tidende[7] and Ekstra Bladet;[8] B.T. awarded it six stars out of six.[9] Dagbladet Information described it as "... a story of an artist who became a victim of the musical genre which he himself had helped innovate, and who, instead of gaining the broad recognition he had longed for his entire life, ended up with a status somewhere in between national heritage and kitsch clown..."[10] Politiken called the film "worthy, worth seeing and moving", Ekstra Bladet "a moving portrait of a man caught between the music, his family and the bottle".
Operation 8 examines the so-called 'anti-terror' raids that took place around New Zealand on October 15, 2007 - asking how and why they took place and at what cost to those targeted.
Danish soldiers are sent to Afghanistan in 2009 for 6 months, to help stabilize the country against the Taliban. They're stationed on Armadillo military base in Helman province. Unlike other war movies, this is the real deal – no actors.
Hello, My Name Is Lesbian shows modern lesbian lifestyle and culture in all it’s diversity as it is lived in one of the most sexually liberated countries in the world. Set against historic footage from the last five decades, women aging from 19 to 84, share their views on sex, family gatherings, parental roles, night life and careers: every facet of the lives we lead, viewed through the eyes of women who have chosen identities departing from the norm.
A Russian propaganda film produced by Oliver Stone that presents the NATO-American participation conspiracy in the 2014 Euromaidan in Ukraine and its aftermath.
The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.
Travel to Copenhagen
This travelogue begins with the vast agricultural wealth of the country, whose farmers can produce four times the amount required to feed the country's population. As such, the export of these agricultural products is a vital part of the country's economy. This agricultural tradition extends to its food consumption, as Denmark's vast array of open faced sandwiches is world renowned. It also extends to flower production and the Dane's love of flowers, which are sold in public markets. Denmark has a strong social support system, as witnessed by the free and mandatory public schooling, free medical services for expectant mothers and children, the provision of cooperative housing and housing for seniors, and the provision of old age pensions without premiums.
Impassivity and silence are Mads Mikkelsen's trademarks, and roles without reply his specialty. His sculptural allure is such that his mere presence takes on a dramatic dimension. For him, everything starts with the body. It's his main working tool, which he shapes and engages for each film. For the majority of world audiences, the Danish actor remains associated with his "villain" characters in Hollywood blockbusters - Casino Royale, Doctor Strange, Hannibal, Fantastic Beasts... Yet he finds with uncommon ease a balance between major American film franchises and more modest, confidential independent films. If the actor manages to move from one universe to another without being stereotyped, it's because he has a very physical - thanks to his former career as a gymnast - and pragmatic approach to his art.