David Hockney is one of the world's most successful and influential artists of our time. At 11, he wanted to be an artist. At 87, he's still creating new works. Happiest when making 'joyful' art, and always innovating with his iPad, his art has sold for millions. Ahead of his biggest show ever opening in Paris, the Bradford-born star talks to Katie Razzall about growing old, a recent visit from the King, and his two big loves - smoking and painting.
David HockneySelfKatie RazzallSelf - Presenter
Much like Fred Rogers and Bob Ross in the United States, Claude Lafortune was a staple of French-Canadian television. The beloved children's television host inspired generations of children through his celebration of creativity, inclusivity and diversity. For over five decades, he dedicated his life to transforming mere paper into whimsical sculptures, creatures and film sets. "The Paper Man" reveals the depths of Claude Lafortune's work, as well as his continuing legacy.
From Brooklyn to the Bronx, Soho to Greenwich, Union Square to Wall Street... Join us and the friends, collaborators and gallery owners who supported Jean-Michel Basquiat throughout his life. The first ever recognized graffiti artist, who saw international success as a neo-expressionist painter in the 80s, Basquiat is a true contemporary hero who died at the peak of his career.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased this extraordinary genius but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of Leonardo: The Works, as EXHIBITION ON SCREEN presents every single attributed painting, in Ultra HD quality, never seen before on the big screen. Key works include The Mona Lisa, The Last Supper, Lady with an Ermine, Ginevra de’ Benci, Madonna Litta, Virgin of the Rocks, and more than a dozen others.
She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. Displaying a treasure trove of colour and a feast of vibrancy on screen, this personal and intimate film offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.
Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.
Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
What does modern art mean for ordinary visitors to an exhibition?
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
Three life models pose naked for an artist. They are Kate Dunne, Dylan Jon Matthews, and Izabella Linuza. We see them pose naked as the artist draws and paints them. They tell us about how they got into life modeling, what it feels like to stand naked in front of strangers, body image, and sexual issues. We explore the ancient and mysterious relationship between the artist and the life model. At the end, Dylan draws Kate and Izabella naked. Then Kate and Izabella draw Dylan naked. We demonstrate the similarities and differences between the male gaze and the female gaze.
Elliott Erwitt has spent his entire adult life taking photographs, of presidents, popes and movie stars, as well as regular people and their pets. His work is iconic in world culture while his life is largely unknown.
Narrated by Sir Derek Jacobi - star of the landmark television series "I, Claudius" - this documentary explores art and culture around the Bay of Naples before Mount Vesuvius erupted in AD 79. The bay was then the most fashionable destination for vacationing Romans. Julius Caesar, emperors, and senators were among those who owned sumptuous villas along its shores. Artists flocked to the region to create frescoes, sculpture, and luxurious objects in gold, silver, and glass for villa owners as well as residents of Pompeii and other towns in the shadow of Vesuvius. The film concludes with the story of the discovery of Pompeii and Herculaneum from the 18th century onward.
Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.
This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.
Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
A portrait of sculptor Barbara Hepworth revisiting the Yorkshire landscapes that inspired her and her home studio in St Ives, Cornwall.
Could an algorithm be able to authenticate masterpieces more reliably than human experts? And is it possible to create new painting from a long-dead master? This documentary explores the upheavals caused by the arrival of artificial intelligence in the art world.
The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.
Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.