
Narciso (2025)
A young man tries to charm a figure similar to himself.

A young man tries to charm a figure similar to himself.
Can an adolescent experience define our perception of love? Can or should everything be connected or have a reason? A character recounts to his niece or nephew, in the form of a confession, an event from his adolescence that defines his particular way of perceiving love. While this exercise serves to tell a story that, regardless of genre, has surely been experienced by more than one person, it expresses the director's idea that discourse can sustain a work on its own, even if what is depicted on screen appears to have no connection.

In this video essay, the filmmaker reflects on the contrast between himself and the space around him, a student dormitory.




Using footage filmed in Peru in 1950 by a foreigner, Víctor writes a letter to his son to question the country he will inherit: among heartbeats and ruins, he searches for a hope that still endures amid disillusionment.
Growth is beautiful, and often progress, too, but if it's not measured, growth can be predatory. Made using the principles of essay film, and using an anonymous character, this film chronicles and critiques how provincial cities grow, change, and gradually lose their identity.

An ex-convict is tracked down by his estranged teenage son, and the pair try to build a relationship and life together in Seattle.
Because of her not-so-good looks, Wu Liang's career and love are negatively affected. She has used makeup to make herself look more beautiful. This "mask" slowly grows on to her face, making new troubles for her.

An anonymous artist reveals their true identity.
A farmer's son falls in love with a young peasant girl despised by the people of the village where she lives.

The story of an ordinary software developer who is interested in cryptocurrencies, unaware of his abilities, and meets the "real world" thanks to an "artificial intelligence" he developed.
It has been raining heavily for months and the sixth wave is depressing humanity. In this prevailing darkness, Claude, 70 years old, compulsively buys lamps online to break his solitude and bring light into his life, at any cost.

When Elisa, a billionaire, is found dead, her close friend and well-wisher Namrutha, who was recently added to Elisa’s will is accused of murdering her. Maya Kannappan, Nami's formidable attorney takes on the case and works through these proceedings, determined to prove Namrutha’s innocence and unmask the real killer.