Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question–you know the one. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.
Hiran AbeysekeraHamlet
Alistair PetrieClaudius
Geoffrey StreatfeildPolonius
Ayesha DharkerGertrude
Francesca MillsOpheliaRyan EllsworthGhost/Player King/First Gravedigger
Tessa WongHoratio
Tom GlenisterLaertes
Phil CheadleMarcellusKiren Kebaili-DwyerFortinbras
In the near future, Panther Claw has destroyed the Tokyo Metropolitan Government. The capital government is forced to shift into the provinces. During this time, Honey Kisaragi has transferred to St. Chapel Academy as part of a special course. This special course is the "New Generation Honey" project, where students, including Honey, become Cutie Honey.
Encouraged by a prophecy and his scheming wife, Macbeth sets out to be King of Scotland, but soon realizes the lengths he must go to keep his power in this gruesome tale of pure horror.
Fabric of a Man is about a boutique owner who dreams of being a designer, but her insecure man doesnt believe in her abilities so puts her down every chance he gets. she meets a young drycleaner named joshua who also wants to be designer and falls for him, now she struggles to choose between security with her man or take a chance and go for what she really wants.
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Two families, related by friendship and love, face up to the consequences of greed and avarice in the post-war years. Love and death play equal roles in determining the outcome of events.
Duda and Bia, two long-term friends, haven't seen each other in 12 years. They both have a disturbing memory of Duda's 15th birthday party. The party ended in heartbreak and alcohol abuse. Now, in their 30s, the two meet again, in the same house where the party took place, to review their lives, facing all the twists and surprises from all the transformations they went through during the years they were apart.
A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?
Thirteen men and women wake up in a mansion, not knowing who each other is or why they have been abducted. To escape from the mansion, infested by Zombies, they must work together but cannot set aside their suspicions that one or more of their number is involved.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Toymaker's Dream is a vibrant, high-energy theatrical presentation that retells the biblical narrative of creation, the fall of man, and redemption through the life and death of Jesus Christ. The story is presented as a fantasy allegory, portraying God as the "Toymaker," humanity as his beloved "toys" living in "Dreamland," and Satan as the "Dream Hater" who incites rebellion against the Toymaker.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
The head of the Kimberly household rules it with an iron fist. Unfortunately the head of the Kimberly household isn't Grant (J.H. Gilmore), the father and wealthy Wall Street magnate -- it's his spoiled, headstrong daughter Catherine (Virginia Pearson). She is so willful that she has earned the name "Impossible Catherine," and her whole focus in life is to prove women's superiority over the masculine gender.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.
As a new school year begins at Seisho Music Academy, nine third-year students in Class A of the Actor Training Department deepen their bonds as they approach graduation. They reminisce about their growth and face uncertain futures while preparing for classes. The story revolves around their determination to pursue their dreams and the challenges they encounter during the Giraffe's Revue, highlighting their growth and transition to the next chapter of their lives.
The play tells a new original story that features characters from the Shōjo☆Kageki Revue Starlight Re LIVE mobile game, featuring and primarily focused on the Edels and Junior High students of Siegfeld Institute of Music. It also features all three Seiran General Art Institute students, as well as Claudine Saijo from Seisho Music Academy, Fumi Yumeoji from Rinmeikan Girls School, and Shizuha Kocho from Frontier School of Arts.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
A teenage boy navigates the final minutes before his first theater stage performance, which includes experiencing his first kiss. Despite his rising anxiety, he shares a romantic moment with a classmate.
After years in the twelve steps of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.