Top billed cast
- Clara MaiaNarradora
Similar to Depois da maré, o que seremos?
Return (2018)
This is a documentary linking ecological and political problems. The planet has come to be less important than the multinational earnings, and with it politicians earnings as well. With this project we bring foreward this problem, witch not only affects the third world, but is a worldwide situation witch needs to be adressed.
Esperanza (2016)
Based on one of the Esperanza's voyages to the Arctic, this short documentary chronicles life aboard the Greenpeace ship. Through conversations with the crew, we will discover her motivations for risking her life defending the planet so far from home.
How Ikea Plunders the Planet (2024)
Investigative journalists working for Disclose spent over a year investigating the production chain of the furniture giant which generated a 44.6 billion euros revenue in 2022 and attracts over 5 billion visitors to its stores and website every year. From the boreal forests of Sweden to Brazilian plantations and New Zealand coastlines, they uncovered how IKEA intensively exploits wood around the world, fuels the illegal trafficking of this resource and threatens the last precious European forests. Long overlooked, intensive logging is now sparking outrage and anger among citizens in Poland and the Baltic countries, who are increasingly concerned about the fate of their countries' public forest domains and biodiversity loss. In Romania, where IKEA owns 50,000 hectares of forests, activists are risking their lives mobilizing against the timber mafia. This film tells the expansion of a discreet forest predator, grappling with the limits of the planet's resources.
Tucaneira: Wooden Hands (2023)
“Tucaneira: Wooden Hands” is a captivating mini-documentary that takes us on a fascinating journey through the world of a skilled artisan who works with wood at an eco-solidarity fair held in a university environment. In this brief and inspiring portrait, we explore the life and craft of Manoel, a master craftsman whose hands transform tree trunks into true works of art. Through beautiful images, testimonials and captivating photographs, the documentary reveals Manoel's passion for his art. He shares his inspirations and motivations, highlighting how his work is deeply rooted in sustainability and respect for nature. “Tucaneira: Wooden Hands” is a mini-documentary that not only celebrates the talent and dedication of an exceptional artisan, but also reminds us of the importance of supporting initiatives and fairs that promote eco-solidarity, art and sustainability in a vibrant and inspiring university .
Sobreviventes do Pampa (2025)
When the search for its origin takes him to the deep pampa, the documentary director discovers a recently recognized biome, little known and that presents more than half of its native area destroyed. So, its goal becomes to present the biome and its inhabitants, in a mosaic between the original peoples, quilombola communities, family cattle ranchers, agrarian reform settlers and rural entrepreneurs, awakening an awareness of belonging, with the objective of strengthening the preservation of the Pampa biome.
Refreshing Forest (2019)
It's a 5-minute animation that addresses the issue of climate change, presenting a proposal for how to balance our relationship with the environment. The short film also shows the importance of agroforestry in the lives of people in both rural and urban areas.
Brasslands (2013)
Half a million people descend upon a tiny Serbian village for the 50th anniversary of the world's largest trumpet festival. Brasslands chronicles the cultural and musical collisions through the personal journeys of 3 musicians - American, Serbian, Roma - whose lives are bound to Balkan brass for very different reasons.
Rotterdam-Europoort (1966)
Instructional film about the (former) biggest harbour in the world, with a hybrid format. Well known Ivens themes are revisited, like The Flying Dutchman in the fiction part of the film, who returns to the modern day Rotterdam, that has recovered very well after the devastating bombardments in the second world war.
Hi-De-Hi!: All the Laughs & More (2022)
A celebration of the much-loved holiday camp sitcom, featuring classic scenes and interviews with members of cast and crew including Su Pollard, Ruth Madoc, Jeffrey Holland, Paul Shane and Jimmy Perry. The programme reveals that Butlin's, the real-life inspiration for the series, were not impressed with the show, and there are backstage secrets, such as the day several cast members nearly drowned in the swimming pool
Winona Ryder: The Ghosts She Called (2022)
A portrait of the actress Winona Ryder, the great muse of nineties cinema, who, although she has had an atypical and somewhat erratic career, has always offered performances as sensitive as they are honest.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Die Magie von Gesicht und Stimme (2022)
Are the face and voice mirrors of the soul? This documentary reveals in detail their impact on our immediate perception of others and recounts astonishing experiments on our psyche.
Indictment: The Crimes of Shelly Chartier (2017)
Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.