
Sans Soleil (1983)
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Documentary-essay short film about a inner/outter trip to the flowery desert in the north of Chile. A student film by Gabriel Lizama AKA Liz Taylor.
Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.
Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
This short documentary, shot in the glass factories of Leerdam and Schiedam, demonstrates how glass blowers do their work. But thanks to the superbly edited ballet of working hands and the sequence of mechanical motions of the engines, is it especially a cinematic tour de force. That the industry can’t do without man’s involvement is shown in the scene where we hear the voice of Haanstra himself counting the bottles on the conveyor belt, until one bottle breaks…
Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.
A teen with autism unlocks a joyous world of self-expression as she shares her voice for the first time using a letter board.
"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.
A generational trauma through the lens of an Asian American teenager through food and poetry.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
A poetic short film showing a day in the 2019 protests in Santiago, Chile through documentary images.