Traffic Crossing Leeds Bridge (1888)
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
Similar to Traffic Crossing Leeds Bridge
The Last Day (2024)
A visual essay by filmmaker and critic David Cairns. Recorded for Arrow Video in 2023. Included as a special feature on the 2024 Limited Edition Blu-ray and DVD release of The Shootist.
Meditation in Motion (1978)
A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.
Land Without Bread (1933)
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Nanook of the North (1922)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Carnivorous Plants (1955)
Photomicrography reveals the unusual structure and behavior of the Venus's flytrap, the trumpet plant, the cobra plant, the common pitcher plant, the sundew plant and the utricularia.
Hymn of the Nations (1944)
Commissioned by the U.S. Office of War Information, this short film features conductor Arturo Toscanini leading the NBC Symphony Orchestra, tenor Jan Peerce, and the Westminster Choir in Verdi’s Inno delle nazioni. Originally composed in the 1860s as a musical tribute to Europe, Toscanini expanded the score to include The Star-Spangled Banner and The Internationale in honor of the Allied struggle and Italian partisans. Filmed in NBC’s Studio 8H, the documentary interweaves performance with scenes of Toscanini at home, emphasizing his anti-fascist stance and celebrating the liberation of Italy. Preserved by the Academy Film Archive in 2010.
Story of a Dog (1945)
A dog trains for the battlefield and becomes a crucial part of the United States military. This 1945 short documentary film was nominated for an Oscar for Best Live Action Short, One-Reel.
Give Us the Earth! (1947)
This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.
A New Romance of Celluloid: The Miracle of Sound (1940)
This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.
The Ossuary (1970)
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
El puente (1951)
The efforts of a community to build a bridge which would allow their children to go school during the rainy season.
Dear Chantal (2021)
Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
I Was a Winner (2016)
Two men and one woman addicted to videogames are interviewed to tell their stories. In this documentary, they are animated characters resembling the ones on computer games.
Mia (2017)
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
Island of Lemurs: Madagascar (2014)
The incredible true story of nature’s greatest explorers—lemurs. Through footage captured with IMAX 3D, audiences go on a spectacular journey to the remote and wondrous world of Madagascar. Join trailblazing scientist Patricia Wright on her lifelong mission to help these strange and adorable creatures survive in the modern world.
Who's Out There? (1975)
Orson Welles — with contributions from scientists George Wald, Carl Sagan, and others — examines the possibility and implications of extraterrestrial life. In examining our perceptions of alien 'martians' from his "War of the Worlds" broadcast, to then-modern explorations of Mars, this film from NASA provides a unique glimpse at life on earth, and elsewhere in the universe.
Roundhay Garden Scene (1888)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
Carmencita (1894)
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.