Man was made to be happy for simple reasons and unhappy for even simpler ones – just as he is born for simple reasons and dies for even simpler ones... Isa and Bahar are two lonely figures dragged through the ever-changing climate of their inner selves in pursuit of a happiness that no longer belongs to them.
Ebru CeylanBahar
Nuri Bilge CeylanIsa
Nazan KesalSerap
Mehmet EryılmazMehmet
Arif AşçıArifCan ÖzbaturGuven
Ufuk BayraktarTaksici
Fatma Ceylanİsa'nın Annesi
Mehmet Emin Ceylanİsa'nın BabasıApo DemirkubuzAktör
A lonely spearmint unsuccessfully tries to connect with others. The plant gets picked up by a person going through a rough patch, isolating himself and dwelling οn the past.
A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.
A gay couple from Hong Kong takes a trip to Argentina in search of a new beginning but instead begins drifting even further apart.
Alicia and Enrique are a young married couple somewhat distanced from each other. Their relationship is threatened when Carlota, a friend of Alicia's from long ago, comes to visit and stays with them for a while.
In this tale of second chances, two ex-lovers run into each other in a restaurant. Both are with new partners. Both are unhappy. Both are still in love with the other. Dormant feelings rush to the surface and the opportunity to rekindle the past presents itself. Will the outcome be different?
For Jip, Lulu, Koop, Nina and Moff, the dead-end jobs they endure during the week just kill the time until Friday night. That's when they cut very loose and get on the rollercoaster ride that takes them right through to Monday morning.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression.
Kurt and Lydia are planning a relaxed vacation at the Gripsholm castle in Sweden . What Lydia does not know is that for Kurt, a well-known publicist, the journey is actually a flight from encroaching fascism and a direct threat from the Nazis.
Have you ever sat by the phone wondering why he said he would call, but didn't, or you can't figure out why she doesn't want to sleep with you anymore, or why your relationship just isn't going to the next level... they're just not that into you. Gigi just wants a man who says he'll call—and does—while Alex advises her to stop waiting by the phone. Beth wants a proposal after years of a committed relationship with her boyfriend, Neil, who sees nothing wrong with the status quo. Janine's not sure if she can trust her husband, Ben, who can't quite trust himself around Anna. Anna can't decide between the sexy married guy, or her straightforward, no-sparks standby, Conor, who can't get over the fact that he can't have her. And Mary, who's found an entire network of loving, supportive men, just needs to find one who's straight.
The relationships among two pre-pubescent brothers and their estranged father are tested on a trip into the Russian wilderness.
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
Kazuhiko seizes the opportunity of his mother's illness to quit work and return to his parents' home. He begins working at senior citizens' home, performing his duties despite having doubts about the facility's policies even as he listens to his mother's grumblings at home. Then he meets a rebellious woman, Aiko, who begins to have an influence on him.
After separating from her abusive husband, Analu knows Fernanda, a lovely lady who offers her shelter. The friendship between the two turns into an intense love affair, but Fernanda shows possessive and violent. The situation worsens when her husband discovers her whereabouts Analu and starts chasing her. And even worse when Fernanda also rejected, decides to put an end to the life of the lover, without considering the consequences.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
A chain of harshness. Brother’s divorce brings ceaseless conflict to the family. Disputes over custody of his kid and alimony constantly plague him, but I can neither help him nor ignore his troubles. Boyfriend seems to be selfish and makes me nervous. There are always anxieties lurking below the surface of any human relationships. This anxiety becomes incarnated in the shadowy face of a pervert hiding in the alley, and darkness has its metaphorical meaning in the entire film.
Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.
Kati and Steffi have been best friends since they were six. Now they're both 17 and enjoying the ups and downs of becoming adults together. While Kati's parents are religious and conservative, but argue constantly, Steffi comes from what appears to be a harmonious and liberal family. But the girls discover how quickly their attractive world can fall apart when, at a hip nightclub, they happen to see Steffi's father in the arms of another woman. Steffi is shocked, her trust in her small perfect world shaken to the core. She can only think of one thing: revenge.
Oskar Roehler's drama Der Alte Affe Angst (Angst) is about the dissolution of a couple. Robert (Andre Hennicke) and Marie (Marie Baumer) have little in common other than their sex life. Since Robert is going through a bout with impotency, they are having a very rocky time. Robert learns that his father, whom he is estranged from, has died. This disturbs Robert so much that he visits a prostitute, and is able to engage in sex with her. Marie discovers the infidelity, and the prostitute has a surprise of her own. Angst was screened at the 2003 Berlin Film Festival.