Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place. Edited down from The Shining Future (1944).
Bing CrosbyBing Crosby (uncredited)
Frank SinatraFrank Sinatra (uncredited)
Charles RugglesMr. Ames (uncredited)
Dennis MorganDennis Morgan (uncredited)
Irene ManningIrene Manning (uncredited)
Jack CarsonJack Carson (uncredited)
Jimmy LydonDanny Ames (uncredited)
Olive BlakeneyMrs. Ames (uncredited)
Cary GrantCary Grant (uncredited)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.
Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.
Go head-to-head with an icebreaker. Plunge down a twisting mountain gorge. Soar through the clouds in the nosecone of a jet, then speed along with a dog team as it races across a frozen Arctic lake. A sweeping, moving tribute to Canada's stunning geography and rich cultural heritage, Momentum leaps off your screen--and touches your heart. Momentum wowed audiences from around the world when it premiered at Seville, the greatest world's fair of the last quarter century.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
To commemorate the 75th anniversary of D-Day, this special presents the key events of the Allied invasion of Nazi-held Europe and the subsequent battles that captured the control of the Normandy coast. Some of the last surviving veterans recall in detail the terror, patriotism and drama from the frontlines of war. This special also honors the diverse backgrounds of all who served.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
In 2021, a Pentagon report revealed what the US government had denied for decades -- UFOs are real and may even pose a threat to our planet. Now, ex-military members break their silence about the massive cover-up. Are we prepared for an alien invasion?
Featuring sit-down interviews with experts and historians, follows the story of the Japanese American soldiers of WWII who fought for the ideals of American democracy.
One of Britain’s greatest landscape artists, Eric Ravilious, is killed in a plane crash while on commission as Official War Artist in Iceland in 1942. His life is as compelling and enigmatic as his art, set against the dramatic wartime locations that inspire him. This film brings to life this unique and still grossly undervalued British artist caught in the crossfire of war 80 years ago, whose legacy largely sank without trace, until now…
Following the tradition of military service in her family, Alene Duerk enlisted as a Navy nurse in 1943. During her eventful 32 year career, she served in WWII on a hospital ship in the Sea of Japan, and trained others in the Korean War. She became the Director of the Navy Nursing Corps during the Vietnam War before finally attaining the rank of Admiral in the U.S. Navy. Despite having no other women as mentors (or peers), Admiral Duerk always looked for challenging opportunities that women had not previously held. Her consistently high level of performance led to her ultimate rise to become the first woman Admiral.
J. Robert Oppenheimer and other key figures involved in the decision to drop the first atomic bomb discuss their motivations in this NBC News documentary. Originally produced and televised in 1965, two decades after the bombings of Hiroshima and Nagasaki, it was re-released in 2023 with an epilogue by Michael Beschloss, NBC News Presidential Historian.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.
