
The Ratings Game (1984)
A New Jersey trucker creates a hit TV show with help from his girlfriend in the ratings business.
A New Jersey trucker creates a hit TV show with help from his girlfriend in the ratings business.
In 1985, against the backdrop of Thatcherism, Brian Jackson enrolls in the University of Bristol, a scholarship boy from seaside Essex with a love of knowledge for its own sake and a childhood spent watching University Challenge, a college quiz show. At Bristol he tries out for the Challenge team and falls under the spell of Alice, a lovely blond with an extensive sexual past.
TV writer Elliott Nash buries a blackmailer under the new gazebo in his suburban backyard. But the nervous man can't let the body rest there.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
A crazed killer stalks the cast of a television soap-opera.
While in competition for a job promotion, the female competitor sues her male counterpart for sexual harassment. Blackmail and murder follow closely behind.
A man is delighted by how his new Tivo has changed his life, until the machine becomes obsessed with him and begins killing people.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
Tally Atwater has a dream: to be a prime-time network newscaster. She pursues this dream with nothing but ambition, raw talent and a homemade demo tape. Warren Justice is a brilliant, hard edged, veteran newsman. He sees Tally has talent and becomes her mentor. Tally’s career takes a meteoric rise and she and Warren fall in love. The romance that results is as intense and revealing as television news itself. Yet, each breaking story, every videotaped crisis that brings them together, also threatens to drive them apart...
Sketch comedy loosely organized around parodies of televsion genres.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
This movie deals with a television network hoping to draw the biggest ratings ever while televising an execution live into the home of every American family.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Slacker duo Beavis and Butt-Head wake to discover their TV has been stolen. Their search for a new one takes them on a clueless adventure across America, during which they manage to accidentally become America's most wanted.
A legendary late-night talk show host's world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.
Uniared pilot for a fictional CBS TV talk program hosted by bubbly actress Julie Brown. The proposal was to relate her misadventures on and off the set. Other regulars are Grant, her co-host; Candace, the producer; Jeff, the director; Michelle, the secretary; and Rhonda, the make-up lady. Julie Brown performs the theme, "The Art of Being Fabulous."
A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
While playing football, two children stumble across the grave of a French WWI infantryman who died in the trenches in 1918. His name was Pierre Delpeuch and in the last days of his life he and his comrades shared an extraordinary human adventure. Exhausted, cut off from the front, huddled in their trench, Pierre and four others bravely stood firm. Facing them was another trench containing five similar exhausted and determined Germans. Their only aim was to resist, whatever the cost, until reinforcements arrived.
The first behind the scenes look revealing the movie magic of the men and women of the stunt profession, Hollywood's unsung heroes. Charlie Sheen and Stuntman Hall of Famer BJ Davis host.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.