An international team of climbers ascends Mt. Everest in the spring of 1996. The film depicts their lengthy preparations for the climb, their trek to the summit, and their successful return to Base Camp. It also shows many of the challenges the group faced, including avalanches, lack of oxygen, treacherous ice walls, and a deadly blizzard.
Liam NeesonNarrator
Ed ViestursSummit Team Leader, USA
David BreashearsSummit Team, USA
Tracy PfauMountain ClimberLhakpa Dorji
Alex Honnold is the most accomplished free climber in the world. Angola is a southwest African country that recently emerged from 27 years of bloody civil war. What brings together these strange bedfellows you ask? Some of the most epic unclimbed rocks in the world, and a community needing help to diffuse the hidden land mines leftover from the conflict. (Plus a shadowy local hotel magnate, but we'll get into that later). This is Alex Honnold in Angola, for one of the most unique adventures of his storied climbing career this far.
After their success climbing the world’s hardest offwidth, the Wide Boyz, Pete Whittaker and Tom Randall, embark on their next crack climbing mission. This time their sights are set on the thinner end of the crack climbing spectrum. Their goal is the mighty Cobra Crack in Squamish BC, considered to be the hardest finger crack in the world. First climbed by Canadian ‘rock star’ Sonnie Trotter after battling it out with Didier Berthod, the route hit the media spotlight in the film First Ascent. With no local hard cracks to train on, the Wide Boyz refit their underground training dungeon and commit to a year of torturous finger training. With only a short trip to Canada planned, the Boyz face their biggest challenge yet against the sharp granite bite of the mighty Cobra Crack!
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Avid for steep slopes, Marco Siffredi (1979-2002) obeys only one rule: not to fall. This gifted kid with hair sometimes blond peroxidized, green or blue clashed in his valley: Chamonix, mecca of mountaineering. His thing was to go up and down on a snowboard. . 90 minutes September 8, 2002, altitude 8848 meters, rare oxygen, his head already brushing the sky and his snowboard running, Marco Siffredi, 23, rushes from the summit of Everest in the Horbein corridor and its slopes at 50 degrees . A year earlier, he had already made the first descent of the mountain on a snowboard. But there remains another corridor… more direct. It's not a challenge, just a reason to be... However, that day, at the top of the roof of the world, his trace is lost...
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Capturing the greatest stories and sends from the year in climbing, the new films of Reel Rock 16 will deliver a joyful dose of inspiration, heart, and humor. The Reel Rock 16 lineup is our biggest release yet, with films starring Alex Honnold, Tommy Caldwell, Alex Johnson, Charles Albert, Pete Whittaker and Tom Randall. FEATURING FOUR WORLD-PREMIERE FILMS Bridge Boys A horizontal big-wall adventure on the longest, most ridiculous crack climb ever attempted. Featuring: Pete Whittaker, Tom Randall Big Things to Come An elite boulderer’s struggle with a project propels her on a decade-long journey of self-discovery. Featuring: Alex Johson Barefoot Charles Meet the opera-singing, cave-dwelling Frenchman who climbs futuristic boulder problems sans chaussons. Featuring: Charles Albert Cuddle A massive link-up of 17 alpine summits pushes a famed climbing duo to the brink - and into each others' arms. Featuring: Alex Honnold, Tommy Caldwell, Adam Stack
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
A horizontal big-wall adventure with the Wide Boyz Tom Randall and Pete Whittaker as they take on the longest, most ridiculous crack climb ever attempted.
A moving record of a natural disaster, Volcano documents the effect of a sudden volcanic eruption on the tiny island of Haimaey, off the coast of Iceland. Blasts of flame, clouds of black smoke and showers of rock erupt from the screen in a poignant portrait of a stricken town.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
REEL ROCK cranks it up to 11 with our latest collection of electrifying climbing films showcasing the sport's biggest stories and athletes. Featuring Ashima Shiraishi, Will Stanhope, Matt Segal, Brette Harrington, Kai Lightner, Mike Libecki and the Wild Bunch.
Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.
Record of the first ascent of Everest made without the use of oxygen equipment, made in May 1978 by Reinhold Messner and Peter Habeler. Could it be done? Would their blood vessels burst? Would they suffer brain damage leading to madness? Nobody was sure. Messner: 'I would never come here for trying Everest with oxygen. That is not a challenge for me.' A fascinating piece of history, well filmed by Leo Dickinson and Eric Jones (above the South Col Messner used a cine camera to continue the filming), featuring Messner and Habeler's thoughts. The film follows the usual sequence from Namche to Base Camp, through the Icefall, to Camps I, II and III. It also shows historical footage of the pioneering Mallory and Shipton expeditions.
In 1950, a French expedition led by Maurice Herzog went to central Nepal to conquer the highest peak (8,091 meters): Annapurna. The film is not only made of what we see, but even more of what we don't see. Its imperfections are the negative imprint of the adventure. Memory is the most faithful of films.
After the great crossing of Fitz Roy, in Patagonia, and the Nose in less than 2 hours, in Yosemite, Alex Honnold and Tommy Caldwell embark on a new adventure: the Continental Divide Ultimate Linkup (CDUL), i.e. the chain of 17 summits of Rocky Mountain National Park, in Colorado in 36 hours. The CDUL totals 56 kilometres, 6,000 meters of elevation gain and 65 pitches, with 11 routes from 5a to 6b+ climbed in simultaneous climbing. A project by Adam Stack, Caldwell's childhood friend, who gave the iconic American rope a hard time.
This documentary tells via the testimonies of people who knew him (like Simone Moro, his companion during his last ascent), the life, the mountaineering exploits and the very tolerant character of Anatoli Boukreev. This famous mountaineer has made more than twenty-one ascents on mountains of 8,000 m altitude, without using supplemental oxygen, and has reached the summit of Everest four times. In 1996 he saved the lives of many climbers in a group led by Scott Fischer during their attempt on Everest. The documentary is based on footage shot during his tragic last ascent of Annapurna in Nepal in 1997.