Había una vez un marido (1953)
Due to confusion, Rafael is believed responsible for the death of Teresa. His wife Lilia and his brother looking for the real culprits.
Due to confusion, Rafael is believed responsible for the death of Teresa. His wife Lilia and his brother looking for the real culprits.
Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.
During a murder investigation, the police uncover a human trafficking network that involves a politician the media is protecting.
Desperate to flee but consumed by fear, Alejandra, a young mother and working housewife, is trapped in a violent and unsatisfying relationship with her husband, Angel. She leans on her brother Fabián for support, but he has secrets of his own. All of their lives are turned upside down by the arrival of the mysterious Veronica. She convinces them that in the nearby woods, inside an isolated cabin, dwells something not of this world that could be the answer to all of their problems... something whose force they cannot resist and with whom they must make peace or suffer its wrath.
Two stories are told of virgin girls who, while studying at university, fall in love with their teacher. But both stories will not have the same outcome.
Two young men get involved with some criminals while trying to free the tycoon they kidnapped.
A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.
Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.
Two brothers living a hard life of manual labor in rural Mexico have a simple dream: saving enough money to build their mother her dream house. But fate has other plans. A friendly game of soccer leads to first Rudo, then to Cursi being taken on by the nation’s top talent scout. Suddenly, they find themselves living the high life of star athletes: fame, fortune, fast cars and beautiful women.
Small-time crook teams up with a street urchin for mutual support on the margins of society.
After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.
Sequel to Day of the Laborer. Roberto and his wife Beatriz work on a construction site, him as a laborer and her selling food. Another laborer El Chalan, seduces neighborhood maids in order to rob the homes where they work. In the neighborhood there is also a serial killer on the loose who preys on prostitutes.
Legendary masked wrestler El Santo must stop a criminal gang.
A young married couple vacations on their honeymoon when the husband falls in love with a sensual girl who is celebrating her bachelorette party and is about to marry a dangerous man. Unfaithful lovers agree to elope with their partners and abandon them forever. The humiliation of the abandoned girl is so great that when she returns to the city to not look bad, she invents that her husband drowned in the sea. This lie causes hilarious complications when the dead man shows up.
In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.
Santo battles the Strangler.
A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.