Kentaro is an unsocial 35-year-old who lives with his parents and has never dated a woman. When Kentaro’s parents set up an arranged marriage interview with a girl named Nahoko and her parents, he falls in love for the first time in his life. However, the pair soon run into unexpected obstacles. Nahoko is vision impaired and can’t seem to break free of her doting parents. Meanwhile, Kentaro has no idea how to deal with the surge of new emotions he’s feeling.
Gen HoshinoKentaro
KahoNahoko
Sei HiraizumiKentaro's father
Ryoko MoriyamaKentaro's mother
Ren OsugiNahoko's father
Hitomi KurokiNahoko's mother
Honoka IshibashiKentaro's co-worker
Shuntaro YanagiKentaro's co-worker
Miyako Takeuchibold middle-aged woman
Kanji FurutachiKentaro's boss
Four people recount different versions of the story of a man's murder and the rape of his wife.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Yuta lives in an orphanage while waiting for her mother to pick her up. One day, Yuta, who happened to know his mother's whereabouts, escaped from the facility with all his heart. However, there was a mother who depended on her cohabiting man and lived a self-deprecating life. Despaired, Yuta meets Sakamoto, a homeless man who lives in a light tiger while walking along the beach. Sakamoto accepts Yuta without asking anything. The two sleep and eat together while earning a small amount of money. Eventually, he became acquainted with Shiori, a girl who grew up in a wealthy family but had no place to live at home or school. Yuta is attracted to Shiori, who has the same loneliness as himself but is kind to him. However, the calm days end with an incident.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Yumi Fukuzawa is an ordinary first year student at Lillian Girls' Academy. By chance Yumi meets second year student Sachiko Ogasawara, who is a candidate to become a Red Rose. Sachiko later offers her rosary to Yumi Fukuzawa which signifies she will become an older sister to Yumi. Meanwhile, Yumi, who already looks up to popular Sachiko, is perplexed why she is picked. A festival named "Cinderella" then approaches, which is run by the Yamayuri Council. Conflicts between the older and younger sisters soon begins ...
Shuji Mimura works as a broadcast writer. He learns that he doesn't have much time left to live. He decides to concentrate on the future of his beloved family. Shuji Mimura's final plan is to find the best man to marry his wife Ayako.
In the early 1200s, Dogen brought Chinese Zen philosophy to Japan, and established the Japanese Zen school of Buddhism. He taught that a person was capable of realizing Buddhahood within himself, by way of Zazen. Zazen is extended hours of sitting and meditating to achieve a state of “Mu” (nothingness, or empty existence).
The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.
Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".
Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.
Jun is a girl whose words have been sealed away so that she cannot hurt anyone with them. But, one day, she is nominated to become an executive member of the "community outreach council." On top of that, Jun is also appointed to play the main lead in their musical...
Barely scraping by making an honest living as a rural yakuza, Hachiya (Yasukaze Motomiya) dreams of the City of Flowers. Unable to conceal their growing frustration at their everyday lives, he and his partner, Sagane (Yoshiyuki Yamaguchi), choose to pursue their own paths as yakuza, hiding a new major source of income from the family. But when the family captain (Kazuyoshi Ozawa) shows up for the first time in ten years...
Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Nagasaki at the end of the Edo period had the taste of a criminal paradise, where, despite the exotic, dangerous work was always in demand. Here, three wandering samurai who earn their living by killing get to know each other. Soon they learn that government officials will be transporting a large cargo of gold and decide to steal it.