Cherbourg: Entrée des souverains russes et du président de la République sous le hall (1896)
Sovereign Nicholas II, Alexandra Feodorovna and President Félix Faure, walking by, followed by their respective escorts.
Top billed cast
Félix François FaureHimself
Czar Nicholas II of RussiaHimself
Alexandra FeodorovnaHerself
Similar to Cherbourg: Entrée des souverains russes et du président de la République sous le hall
Crisis Hotline: Veterans Press 1 (2013)
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
Positively Naked (2005)
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
Neverland Firsthand: Investigating the Michael Jackson Documentary (2019)
A mini-documentary which further explores allegations made in HBO’s Leaving Neverland, that the King of Pop sexually abused two young boys. Through interviews with those closest to the situation, as well as members of Jackson’s family, the film sheds light on information that was excluded from HBO’s broadcast.
The Arrival of a Train at La Ciotat (1896)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Who's Superstitious? (1943)
This short film examines the origins of several superstitions including crossing your fingers, knocking on wood, rabbit's feet, and breaking champagne bottles to christen ships, plus the role of superstitions in the Flying Dutchman tale.
Behind the Lens (2024)
When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
¡Al fútbol! (1975)
Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.
Lipstick (1994)
With an off beat sense of humour, the film looks at the politics and glamour of lipstick and the dilemmas of the modern woman in a marketed world.
Loyal to My Image (1992)
Through one woman's experience as an adopted person and also as a mother who relinquished her child in 1971, this documentary highlights the many complex issues associated with adoption.
Cantando en las azoteas (2017)
An emotional and tender portrait of Gilda Love, whose baptismal name, as he says, was Eduardo Enrique Gustavo Francisco, although he never felt like one of those men. Entry is for the 2017 short film, not the 2022 feature length documentary by the same director.
The Dawn of Sound: How Movies Learned to Talk (2007)
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
Mystery of the Nile (2005)
Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
Volcanoes of the Deep Sea (2003)
12,000 feet down, life is erupting. Alvin, a deep-sea mechanized probe, makes a voyage some 12,000 feet underwater to explore the Azores, a constantly-erupting volcanic rift between Europe and North America.
Lesbian. (2020)
Why does the word “lesbian” feel toxic to some queer women? “Lesbian.” – a powerful film from poet lisa luxx and director Rosemary Baker – is a call to arms to take the word back.
Beeldverhalen (1974)
Short documentary that showcases the creation of a 'Suske en Wiske' comic book from the first drawing to the kids reading it.
Scum Manifesto (1976)
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
Journey into Amazing Caves (2001)
Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncover the secrets to life underground.
Djurgårdsfärjan (2012)
A paraphrase on Eric M. Nilsson's film Djurgårdsfärjan from the early 1960s.
Las Hurdes, país de leyenda (1922)
An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.