
A Punjab Village (1925)
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
This documentary highlights the achievements of India in the political, economic, and international fields since she attained Independence. The framing of her Constitution, the integration of the States and the general elections, the rehabilitation of displaced persons, the river valley projects, and the setting up of a chain of National Laboratories are some of the achievements shown here.
A documentary on the life of the youth in post-Independence India.
Divided into three parts — The Awakening, The Struggle, and Freedom — this is a biographical film on Pandit Jawaharlal Nehru, the first Prime Minister of independent India. Relying on Nehru's writings and speeches, the film traces the evolution of Nehru from his birth through his life. It also deals with the effect of history on Nehru and in turn his impact on the world.
The Kumbh Mela is a great roving Hindu spiritual festival that has moved around India for more than four thousand years, erecting temporary cities along the Ganges River.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
A filmmaker's insight into the biggest gathering on earth -the Kumbh Mela.
Sue Perkins immerses herself in the complex life of Kolkata and sees how it is reinventing itself as a megacity with a reputation for eccentricity, culture and tolerance.
The wildlife and cultures of southern Asia have been shaped by one of the greatest phenomena on Earth: the mighty monsoon winds that sweep across this vast region, turning drought into deluge. All life – human and animal – is dominated by this rampaging weather system. From the northern shores of Australia to the highest peaks of the Himalayas and the wind-blown deserts of northern India to the lush equatorial forests of Borneo, this series makes an exhilarating journey through the lands of the monsoon. Along the way, it offers a taste of the variety and colour of the different regions’ most extraordinary wildlife and cultures and the way they cope with the tumultuous weather. This is the story of a relationship between humans and nature that has grown across thousands of years – all living in the shadow of the monsoon.
Life on the road in India, showing the traffic, people and animals.
Hindu temples at Benares and Belur and the mythologies associated with them.
A documentary on sufism
"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
A journey that follows the Ganges from its source deep within the Himalayas through to the fertile Bengal delta, exploring the natural and spiritual worlds of this sacred river.
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
Lord Louis Mountbatten arrives in India in March 1947 as Britain's Last Viceroy. He is committed to transfer administrative and authoritative power to an independent and sovereign India. Six months later India indeed was set free, but it had also been partitioned and overwhelmed by an orgy of sectarian violence involving Hindus, Muslims and Sikhs.
The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.
Repping best view to date into the world of the Indian eunuch, “Between the Lines: India’s Third Gender” may not answer all the questions it poses, but helmer Thomas Wartmann provides an intimate glimpse at a community whose members are considered pariahs and conduits of supernatural force. Following shutterbug Anita Khemka in her quest to discover why these castrated men fascinate and repel, docu concentrates on three personalities and uses them as guides to their highly stratified world. Under its nautch skirts, film has strong enough legs to step out into international arthouses.
This portait of life on the tea plantations is decidedly rosy – clearly, there are no exploited workers here. However, the film provides an intriguing overview of tea production – from the planting of tea seeds to the final shipping of the precious leaves across the globe.