What Difference Does It Make? (2014)
A documentary that explores the challenges that a life in music can bring.
A documentary that explores the challenges that a life in music can bring.
A look at the daily life of an English brothel.
Since 1990 David Icke has been on an amazing journey of self and collective discovery to establish the real power behind apparently "random" world events like 9/11 and the "war on terrorism". Here he reveals that a network of interbreeding bloodlines manipulating through their web of interconnecting secret societies have been pursuing an agenda for thousands of years to impose a globally centralized fascist state with total control and surveillance of the population. The attacks of September 11th - not the work of "bin Laden" - and the subsequent "war on terrorism" are a means through which this is designed to be achieved. Over more than six hours and with hundreds of illustrations, David Icke also reveals the illusion that is life in this "physical" reality. How is the "world" a provable illusion - just a lucid dream? How do we create it and how can we change the dream to one that we would like to experience?
Part concert film, part backstage pass, the special tells his compelling life story through Cole’s own words and music, and through the observations of those who know him best.
A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
Hip hop started on a small block in the Bronx but today it's a global phenomenon. This brand new special, hosted by Lenny S., takes us on an international journey with today's biggest hip hop artists as they find musical inspiration in cities around the world. The special features an inspiring trip to Jamaica for a behind the scenes look at the making of DJ Khaled's music video for “These Street Know My Name.”
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.
Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.
For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.
TMZ exclusively sits down with Arnold Schwarzenegger and Sylvester Stallone as they discuss for the first time how their once-fierce rivalry led to two Hollywood icons forever being friends and brothers in arms.
This documentary outlines the unique properties and latest studies of "Physarum Polycephalum", also known as Blob.
Lisa 'Left Eye' Lopes was the hip-hop voice of TLC, the best selling female R&B group of all time. On March 30th, 2002, Lisa decided to document her life. She filmed at a mysterious spiritual retreat deep in the jungles of Honduras, but 26 days later, after a tragic accident, she was dead and her unedited tapes were left behind. Last Days of Left Eye is the re-imagining of the film Lisa never got to complete. Revealing private moments from Lisa's journals and home movies, along with highlights from her celebrated career, this film is an intimate journey into the soul of a talented and still provocative young artist. Directed by Lauren Lazin, Academy Award nominated director of Tupac: Resurrection (2005, Best Documentary Feature), Last Days of Left Eye has screened to sold-out audiences at film festivals around the world.
A self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success.
A rock band has to record their third LP, which will either propel them to stardom or fade into oblivion. Despite executives’ reservations, their idea is to have the recording take place in New York. But everything complicates, and the creative process turns into a hellish ordeal. A love triangle with all its consequences unfolds, band members desert, romantic relationships shatter, rehearsals become rampant with drugs and alcohol, and the unbearable pressure from the record label leads to endless fights and arguments only interrupted by fleeting moments of happiness. Meanwhile, unknowingly, they will be composing an album that will leave a mark on an entire generation.
The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Emmy award-winning filmmaker Deeyah Khan joins the frontline of the race wars in America, sitting down face-to-face with Neo-Nazis and fascists.
This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.
Thirty years after recording "Rapper's Delight," Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.