Set in rural South of Spain in the 19th century, tells the story of group of outlaws, from very different origins, trying to survive, hiding from the law enforcement officers in caves in a hilly area, and their struggle against the evil mining company that exploits the poor people of their home village.
Francisco RabalJuan Cuenca
Luis PeñaAndrés
Alberto FarnesePedro
Isabel de PomésRosario
Luisella BoniMaría
José Marco DavóFray Francisco
José SepúlvedaRamón
Barta BarriCapataz
Josefina SerratosaCarmela
Santiago RiveroCarter
Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.
Andalusia, Spain, 19th century. The roads are infested with bandits who sow panic among travelers. Although most of them are ruthless killers, Lucero is a true champion of the disinherited.
Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...
"Pasos largos" (long steps) is an alias for the last Andalusian bandit, after engaging in poaching for a living, he begins to commit small crimes in the mountainous area of Ronda (Malaga, Spain), but everything gets even more complicated.
Paula, a thirteen year old girl, starts to experience certain complications in the relationships with her family and friends. In order to be with her ill grandmother, which she barely knows, she spends the summer in Ojos Negros. There she will meet Alicia, a girl her age, who also stays in town for the summer. Together they will venture into the adult world through a stifling summer that never ends.
The film is about Eloy, a Chilean bandit and companion of Joaquín Murieta, who is wanted by the justice system on the border with Argentina. Although an escape seems impossible, in desperation he flees without a fixed destination.
Two Finnish PI:s are hunted by a gang specialized to counterfeit banknotes from Malaga to Finland and Mallorca and back. The counterfeit money printing plates are desperately searched by the gang and our heroes try to hide from them by travelling to Mallorca, where some of the local hoods try to kill them and retake the missing plates.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
Steve, a happily married American man living in London meets Vicki, an English divorcée and run off to Marbella for a rollicking week of sex. They then return to London to set up a cozy menage, despite the fact that he loves his wife and children, and now realize that he and Vicki have also fallen in love.
In Jerez de la Frontera, Spain, tradition, memory and folklore, walk the streets on the shoulders of a people who proudly displays a legacy rooted in their culture for centuries.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.
During colonial times, Nyanga was kidnapped from the coasts of Africa, brought to Mexico and enslaved. Even though he was forced to work at another man’s estate, he never stopped dreaming of freedom. Based on historical events and using shadow play techniques, “Nyanga” is an homage to the many resistances against the shackles of colonialism.
This film tells about the murder of Lieutenant Colonel Aikawa, the head of the Bureau of Military Affairs, about the beginning of the incident 2.26 and the execution of young officers.
A young scientist studies the mechanics of time travel by having a conversation with a group of her future selves.
The time was the first year of Keio (1865). Upon hearing the news that the Imperial Army was approaching Hida Takayama, the district head Shimizu Uzen fled to Edo. Local officials like Yoshida Bunsuke and Yoshizumi Hironoshin showed their allegiance by welcoming them. The commander at the time, Umemura Hayami, was a former member of the Tengu Party and had previously been pursued in the town. He took refuge in a restaurant named Kabuya, and owing to a tip-off from a woman named Oraku, he was almost captured for her lover, Yoshizumi. Oraku and Yoshizumi probably feared revenge from that previous encounter, but Umemura had come back to Hida because he couldn't forget Oraku.
Around the Genroku era, there was a man named Saotome Shusui-no-Suke, nephew to the senior councilor Matsudaira Sakon Shogen. He was commonly known as the Bored Samurai of the Hatamoto rank. Just as he was engulfed in boredom, Tokugawa Jo-Kaibo, claiming to be the Shogun's illegitimate child, made a grand entrance into Edo. At the behest of Sakon Shogen, Shusui-no-Suke was tasked to investigate Jo-Kaibo's background and had his young page Kyoya disguise as a woman to infiltrate Jo-Kaibo's gun mansion.