Ana is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings.
Ana Maria Martins GuerraAnaOctávio Lixa FilgueirasManuel Ramalho EanesAurora AlfonsoMariana Margarido
Adelaide Ferreira
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry after the shipwreck, everyone is afraid of him, except for Amy, who is very kind and helps him. Soon he becomes like a son for Dr. James Kennedy and romance between Yanko and Amy follows.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
A woman employs a gay man to spend four nights at her house to watch her when she's "unwatchable".
A young woman working at a retirement home takes an elderly man living there on an excursion into the countryside, but the two wind up stranded in the titular forest.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
A young and successful insurance underwriter must allow her mentally unstable mother to move in with her after the institution in which the mother had been living is deemed unfit for occupancy. The mother then begins to dislike how close her daughter is with her boss.
Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives -- all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
Experimental filmmaker, Jack has developed a revolutionary type of film, which induces a euphoric state in the viewer. Needless to say, this rapidly becomes an underground phenomenon in Taipei. The label of these mind-altering screenings? Made In Taiwan... With the help of Amy Lin, organised screenings pop up around the city and crowds of eager MIT fans flood in to see his latest creations. As his films become more popular, Jack fights obsessively to keep complete control of his work. However, he also comes to realise that his films have long-lasting effects on the mind. With his own constant exposure to the films, Jack begins to slip into a dark, dream world of his own creation from which he may never return.
Anne and Tom, a married nudist couple, work in a real estate office. When the agency's owner discovers that Tom is a nudist, he fires him. Unfortunately, Tom was just ready to close a big real-estate deal with Al Jenkins. Tom goes to his favorite nudist camp to take his mind off his problems and discovers that Al Jenkins is also a member of the nudist camp. Together they come up with a plan to get Tom's wife and their boss to get to the nudist camp so they can close the deal.
The leader of a small kingdom falls in love with a beautiful American girl, only to be shocked when he finds out that she's a nudist.
This and The Hot Month of August, both made in Greece, were acquired by DORIS WISHMAN for release in the United States. However, she somehow or other lost the dialogue sheets needed for dubbing the films into English. With the original dialogue a mystery, and not understanding Greek in the first place, the Grand Dame of Sexploitation simply re-invented the entire plot blissfully dubbing it away without any clue as to what was really being said, and then adding some steamy sex scenes with her own anonymous adulterers to liven things up.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.