Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.
Nastassja KinskiLucia
Stefano DionisiCarlo
Franco CittiFranco
Chiara CaselliLillAlessandra Marson
Franca ScagnettiRaffaela DaviEnzo SaturiniAntonio de GiorgiMichela Bruni
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
An honest cop named Joshua Marino is transferred to the city of Plainview, New York, where the streets run dirty with crime and corruption. Meanwhile, an aging crime boss pressures his eldest son to carry on his legacy while a washed up detective is hot on his tail.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
Set in 2002, an abandoned 5-year-old boy living in a rundown orphanage in a small Russian village is adopted by an Italian family.
Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.
Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets and even discover the true identity of her father.
While scouting out apartments in London for her Venetian boyfriend, Carla rents an apartment overlooking the Thames. There, she meets a real estate agent by the name of Moira.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
Pagliacci, is a 1948 Italian film based on Ruggero Leoncavallo's opera Pagliacci, directed by Mario Costa. The film stars Tito Gobbi and Gina Lollobrigida. It recounts the tragedy of Canio, the lead clown (or pagliaccio in Italian) in a commedia dell'arte troupe, his wife Nedda, and her lover, Silvio. When Nedda spurns the advances of Tonio, another player in the troupe, he tells Canio about Nedda's betrayal. In a jealous rage Canio murders both Nedda and Silvio. The only actor in the cast who also sang his role was the celebrated Italian baritone, Tito Gobbi, but the film is largely very faithful to its source material, presenting the opera nearly complete.
Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.
In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.
World War II Italy...1943. After parachuting behind enemy lines on an espionage mission, an American soldier is imprisoned by the enemy. He escapes with four Italian prisoners, enlisting their aid in exploding a bridge.
In 1943, Vincenzio and Maria take their children to his father's Tuscan farm. Vincenzio commutes to Rome where he's a physician and, in the hospital basement, prints an anti-Fascist paper. His brother is in the Resistance; his father supplies food to a local monastery where 12 fugitives hide. All is seen through the eyes of the oldest child, Paulo, who's about 7 and the only lad at school who doesn't wear a Fascist Youth uniform. For Paulo and his siblings, it's great fun playing with their nonno, finding herbs in the fields, watching a maid's tryst with a soldier, teasing a silent monk. Then the war reaches the farm when Italy surrenders and the Germans exact revenge.
In 1987, Ricardo is 17 years old. This summer, Ricardo has a busy schedule: loose his virginity, find a way to get into bars, have a car, spend time with his friends. In order to rapidly make money, Ricardo decides to use his italian inheritance and take a shortcut in the medium of crime. But things will go wrong...
After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.
A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.