
The Ambush (1969)
Idealistic young man supports the party and the new Yugoslavia's communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what's right and what's wrong.

Idealistic young man supports the party and the new Yugoslavia's communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what's right and what's wrong.
Ivica VidovićIve Vrana
Milena DravićMilica
Severin BijelićZeka
Slobodan Aligrudićdrug Jotić
Pavle VuisićStarešina sela
Dragomir FelbaTopolovački
Branko MilićevićVođa Skojevaca
Milivoje 'Mića' TomićProfesor razrednikAbout the fate of a communist, who has come a long and difficult life from a simple worker to the director of the largest automobile plant. The prototype of the main character was the image of I. A. Likhachov (1896-1956) - the director of the Moscow Automobile Plant (ZiL).

After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.

The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.
The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.

British agent Alec Leamas refuses to come in from the Cold War during the 1960s, choosing to face another mission, which may prove to be his final one.

In the communist Romania of Nicolae Ceausescu, a young Romanian woman marries a German citizen just to leave the country.

A government clerk on election duty in a conflict-ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels.

The leftover disbanded partisan battalion draws Chetniks' attention, who push their plans of attacking the partisan headquarters aside and start hunting them instead.

In 1984 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
In September 1923, during the so-called 'anti-fascist' uprising, police chief's daughter Kita falls for a student with communist beliefs. Although loyal to the monarch, her father's paternal instinct force him to compromise but his retaliation against the rebels takes a devastating turn.

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.
A young intellectual, Hugo, joins the Communist Party out of a sense of idealism, only to see his principles manipulated by party leaders. He is given the assignment of killing Professor Hoederer, a party deviationist. However, he grows to admire the man and begins to have doubts about morals and revolutionary politics. But jealousy - Hugo thinks Hoederer has made love to his wife, Jessica - takes matters out of the political realm.

A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.

Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.

Viktor Kingissepp has been the underground head of the Communist Party of Estonia for three years. He corresponds with Moscow, writes speeches for the members of the Communist Workers' Party and makes leaflets for the events of trade union. His purpose is to overthrow the Republic of Estonia since he does not believe in Estonian independence nor in any national ideals. Yet the clock keeps ticking, tuberculosis spreads rapidly, the world revolution is being postponed. What to do in order to make one's efforts work?

Miracle at St. Anna chronicles the story of four American soldiers who are members of the all-black 92nd "Buffalo Soldier" Division stationed in Tuscany, Italy during World War II.

Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.