Don't - Der Österreichfilm (1996)
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
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Decasia: The State of Decay (2002)
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
8-8-88 Church of Satan Mansonite Rally (1988)
On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”
Keppel Road: The Life and Music of the Bee Gees (1997)
This documentary traces the lives of Gibb brothers and takes a look through their memories, creating some of the greatest hits in the world as the Bee Gees. Including interviews, archive footage, and new versions of classic songs - all recorded in the lead up to the release of their 'Still Waters' album in 1997.
A Imagem da Música - Os Anos de Influência da MTV Brasil (2017)
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
The Happy Child (2003)
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
Muse: HAARP - Live from Wembley Stadium (2008)
Muse's live act at Wembley Stadium, 17 June 2007.
PLEH (2017)
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
Harry Styles: Behind the Album (2017)
Chronicles Harry’s musical journey while creating his much anticipated debut solo album. The film features exclusive interviews and behind the scenes footage shot in Jamaica, Los Angeles and London during the making of the album and is complemented by Harry and his band performing songs from it for the first time at the world famous Abbey Road Studios in London.
30 Years of James Bond (1992)
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
In Search of James Bond with Jonathan Ross (1995)
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
Auge in Auge - Eine deutsche Filmgeschichte (2008)
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Pure Comedy (2017)
Pure Comedy is a black and white document of the live tracking of Pure Comedy, as well as a surreal look into Tillman's writing process. A six person crew, complete with cranes in the tracking rooms, captured every moment of the recording, giving the viewer intimate audience to actual album takes, including the one and only 2:00am performance of the 13-minute "Leaving LA."
Come Worry with Us! (2013)
Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.
Eighth Van Cliburn International Piano Competition: Here to Make Music (1989)
Emmy Award winning documentary, directed by Peter Rosen, about the Eighth Van Cliburn International Piano Competition in 1989, featuring interviews with the contestants and jurists, and footage from rehearsals and performances, including by competition winner Alexei Sultanov.
Christina Lindberg: The Original Eyepatch Wearing Butt Kicking Movie Babe (2015)
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The Red Elvis (2007)
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
Jongens van de Landbouwschool (2007)
Documentary about the Dutch punkband 'De Klojos'. and it sucks bigtime