Top billed cast
Ivan MosjoukineSergey Nevedov, doctor's son- Claudia NovitskayaSergey's mother
- Pavel BiryukovNadya's father
Sofya GoslavskayaStudent Nadya Zhdanova
Similar to In the Hands of Merciless Fate
Pages of Life (1922)
A composer's neighbour rescues a seduced waif and discovers she is his daughter.
The Wife He Bought (1918)
James Brieson, a wealthy stockbroker, ruins Hutch Valiant, who soon after dies of the shock. Valiant's son Steele returns from the Northwest, where he won his fortune, just before his father's death and decides to devote his life to the cause of revenge.
Rosalind at Redgate (1919)
Returning to House of a Thousand Candles a mystery unfolds involving two lookalike girls...or is there only one very crafty one?
Bertha the Sewing Machine Girl (1926)
Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.
The Small Bachelor (1927)
What must a man do in order to put an end to his bachelorhood? For George Finch, one of nature's white mice and probably the worst artist ever to put brush to canvas, there are many obstacles. Undoubtedly the greatest is his beloved Molly's fearsome stepmother, Mrs. Waddington, who has her eye on an eligible English lord for a son-in-law. Luckily, George has an ally in sharp-witted Hamilton Beamish, an old family friend of the Waddingtons, not to mention George's butler, Mullett, and his light-fingered girlfriend, Fanny, whose valuable skills are of particular interest to the would-be father-in-law.
Icebound (1924)
Ben Jordan runs away after accidentally setting fire to a barn in his small New England community. He returns when his mother dies to find that she has left everything to her ward, Jane Crosby.
The Goddess (1915)
A young girl is reared on a desert island by natives and led to believe that she is a goddess. One day an outsider comes to the island, and persuades her to accompany him to preach about the kindness and love she has experienced. She agrees, but she's soon confronted by the problems and travails of the "outside" world.
Danger, Go Slow (1918)
Muggsy Mulane, a waif who wears boy's clothing, jumps a freight train to the country after Jimmy "the Eel," the leader of the gang of crooks with whom she works, is arrested. In the village of Cottonville, Muggsy befriends Aunt Sarah, whom she later discovers is Jimmy's mother. When Muggsy learns that the greedy Judge Cotton, who holds the mortgage on Aunt Sarah's property, is planning to foreclose, she threatens to blackmail him, and he relents.
The Hurricane (1926)
"Hurricane" Jack Foster is a smuggler who ignores his wife and child in order to pursue Marguerite Blair, the unhappy wife of the Chief Ranger of the North West Mounted Police. Foster lays plans for his final theft, after which he will elope with Marguerite, although Blair lays his own plans to thwart his rival. Dispirited over Blair's lack of attention, Marguerite nonetheless calls his office before running away with Foster in a last effort to reconcile with her husband. Marguerite cannot reach Blair but does receive a message that his remoteness has been due to his job rather than "another woman." When Foster then attempts to carry out his plan and knocks out Blair in the process, Marguerite does not hesitate to shoot Foster. With Foster and his gang rounded up, the Blairs reconcile.
The Girl in Number 29 (1920)
Laurie Devon is a New York playwright who, having had one success, refuses to work on another play.
Fools Highway (1924)
Mike Kildare, a swaggering youth from New York City's Bowery at the turn of the century, comes to the defense of Mamie Rose, a mender in a secondhand clothing shop, when his own gang of Irish-Americans insult her.
The Trouper (1922)
Working as a wardrobe girl in a cheap traveling stock company, Mamie Judd secretly loves Jenks, the leading man, who scarcely notices the young girl. She saves Neal Selden, son of a small-town banker, from being accused of robbery and murder, acts committed by the company's manager and leading lady.
A Dangerous Game (1922)
Gretchen Ann runs away from her foster parents but is sheltered first by Bill Kelley, a train brakeman, then by elderly oilman Pete Sebastian. After Gretchen keeps Sebastian from being duped by a medium, he sends her to a fashionable school, asking that she agree to marry him when she returns.
The Narrow Path (1918)
Marion Clark, a manicurist, is unimpressed by the wealthy but dissipated men who frequent her shop, preferring city editor Dick Strong, who lives in her boardinghouse. Dick's sister Gladys, however, is intrigued by the wilder side of life in New York and allows one of the boarders to take her to a lively party.
The Guttersnipe (1922)
Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
Are All Men Alike? (1920)
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
The Galley Slave (1915)
Francesca Brabaut, who married an artist against her father's advice, regrets her decision when her husband Antoine, in debt, sends her to his misanthropic uncle to plead for money.
Old Shoes (1925)
A widowed woman marries her husband's brother, who soon proves to be a tyrant stepfather to his adopted son.
Eugene Aram (1924)
A blackmailed ex-thief is executed for a murder he didn't commit.
The Big Fight (1930)
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.