A short documentary in the Chaplin Today series about Chaplin's "Monsieur Verdoux." Includes an interview with Claude Chabrol, whose 1963 film "Landru" concerns the same serial killer that inspired Chaplin's film.
Charlie ChaplinSelf (archive footage)
Claude ChabrolSelf
Norman LloydSelf
Hanns EislerSelf (archive footage)Margaret HoffmanSelf (archive footage)
Marilyn NashSelf (archive footage)
Martha RayeSelf (archive footage)
Ronald ReaganSelf (archive footage)When it comes to serial killers, there aren't many stories more chilling than the one of Fred and Rosemary West. The murderous duo raped, tortured and murdered at least a dozen young British girls between 1967 and 1987 in Gloucestershire, including several of their own daughters. Learn of how two of Britain's most notorious serial killers were able to get away with their crimes for so long, how they hid the victim's remains within the confines of their own home, and how they were eventually taken down.
Unpacking and questioning the evidence used to convict neonatal nurse Lucy Letby.
Jess Koster is a young attorney in LA who is being stalked by the serial killer she is prosecuting.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews. All the 5 Bonds at the time are featured, though only Lazenby (reflecting in the usual frank, self criticizing manner), Moore and Brosnan granted an interview. Connery and Dalton are featured through some unused footage from LWT's 30 years of James Bond program. The ever faithful Desmond Llewelyn turns up in character as well as some other less related peeps like Christopher Lee, Paul McCartney and the ultimate playboy: Hugh Hefner -- who all give an interesting perspective on the worlds most famous spy.
Mari Gilbert searches for the truth behind what happened to her daughter Shannan, a sometime escort who disappeared after a ‘date’ on Long Island. After Shannan fails to come home, her mother Mari knows something is terribly wrong. Pleading to police to take her concerns seriously, she keeps pushing the police for answers. Mari’s insistence that her daughter not be overlooked eventually leads to a horror hidden on Long Island for more than a decade – 19 bodies of young women discovered buried in shallow graves along Ocean Parkway in the area of Jones Beach State Park.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
A documentary on the revolutionary life and career of director Juan Antonio Bardem, including interviews with many of his colleagues, including Luis Garcia Berlanga.
A former Texas Ranger is recruited by a Houston police captain to assist a homicide detective in the search for an elusive serial killer who collects antique dolls.
Harold Frederick Shipman, known to acquaintances as Fred Shipman, was an English general practitioner and serial killer. He is considered to be one of the most prolific serial killers in modern history, with an estimated 250 victims. We delve into the psychology of Harold to try and understand what turned him into such a cruel murderer and how he managed to get away with it for so long.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
A Portland taxi dancer is a suspect in a series of murders involving her former customers.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.
An investigation into a serial killer leads two detectives to discover that Dr. Frankenstein and his creature are still alive after two centuries of genetic experiments.