Women Who Win (1919)
A widow and her daughters join the Women's Service Training Bureau and become a nurse, a journalist and a landscape gardener.
Top billed cast
Mary Forbes
Queen AlexandraHerself- Unity More
- Mary Dibley
Similar to Women Who Win
På livets ödesvägar (1913)
The son of a poor fisherman and the daughter of a wealthy landlord fall in love, but meet with obstacles to being together. Their happiness meets with objection by her father, who intends to permanently separate them.
The First Kiss (1928)
The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."
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A colonel saves a prince's life when he joins a club of men who draw lots to kill one another.
Two Americans (1929)
Presents Lincoln's difficulties with Gen. McClellan and Secretary of State Seward, over the selection of a commander of the Army of the Potomac. Lincoln asserts his leadership and appoints Gen. Grant.
The Trouper (1922)
Working as a wardrobe girl in a cheap traveling stock company, Mamie Judd secretly loves Jenks, the leading man, who scarcely notices the young girl. She saves Neal Selden, son of a small-town banker, from being accused of robbery and murder, acts committed by the company's manager and leading lady.
A Petal on the Current (1919)
A shop girl finds herself disgraced after being pressured into drinking too much at a party and getting arrested for public drunkenness.
Back to the Woods (1918)
Daughter of an Eastern lumber king, Stephanie Trent travels in the guise of a schoolteacher to the logging village of Trentsville to search for "a real man." There she meets Jimmy Raymond, a young novelist posing as a local while writing his story. When Stephanie comes to Jimmy's cabin to report a supposed plot against him, he acts as though he intends to assault her. She nearly throws herself out the window but is stopped by Jimmy, who explains that he is working on a novel and merely wanted to determine a young girl's reactions. In retaliation, she orders that he be kidnapped and held in a nearby cabin, but remorsefully nurses him back to health when he is shot trying to escape.
The Call of the East (1917)
While visiting Alan, who works in Tokyo, she attends a festival with her Japanese maid while wearing a Japanese kimono. There she meets the wealthy Arai Takada, who is taken by the mysterious woman. Alan has dishonored and betrayed O'Mitsu, and her brother Arai plans a terrible revenge.
The Guttersnipe (1922)
Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
Desperate Youth (1921)
Will the orphan girl win her hero in spite of scheming relatives who seek to keep her in the background?
Danger Ahead! (1921)
The impoverished Harlow family of New England is forced to take in summer boarders. Teenaged niece Tressie welcomes the change and promptly falls in love with a wealthy young guest named Norman Minot. Although Norman returns Tressie’s affection, he is driven away by a fortune-hunting mother who wants him to marry her daughter. Robert Kitteridge, a scheming artist friend of Norman's, takes Tressie on a sailboat outing, during which they narrowly escape death when their boat is rammed by a steamship. After being put ashore the next morning in Boston, MA, Robert takes Tressie to his studio and attempts to seduce her.
A Dangerous Game (1922)
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Are All Men Alike? (1920)
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
The Small Bachelor (1927)
What must a man do in order to put an end to his bachelorhood? For George Finch, one of nature's white mice and probably the worst artist ever to put brush to canvas, there are many obstacles. Undoubtedly the greatest is his beloved Molly's fearsome stepmother, Mrs. Waddington, who has her eye on an eligible English lord for a son-in-law. Luckily, George has an ally in sharp-witted Hamilton Beamish, an old family friend of the Waddingtons, not to mention George's butler, Mullett, and his light-fingered girlfriend, Fanny, whose valuable skills are of particular interest to the would-be father-in-law.
The Kreutzer Sonata (1911)
The Kreutzer Sonata is a 1911 Russian silent film directed by Pyotr Chardynin. The film is considered lost.
Tragedies of the Osage Hills (1926)
A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.
Miss Julie (1912)
End of the 19th century. In a mansion, Miss Julie lives with her father. She has just broken her engagement but is attracted to a valet, Jean. They spend the Midsummer Eve together and plan to fly to Switzerland. Anna Hofman-Uddgren was almost the first female film director in Sweden. Beaten by a couple of months by Ebba Lindkvist.