About the Art of Love or a Film with 14441 Frames (1972)
Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.
Similar to About the Art of Love or a Film with 14441 Frames
Das Dorf der Freundschaft (2001)
A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.
The Other Side of Everything (2017)
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
City of Splendour (2013)
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
UN Sex Abuse Scandal (2018)
A documentary about the UN sex abuse scandal where companies and staff working for the United Nations in the Congo and other Central African countries were involved in rape and sex abuse of local women. There have been over 1700 allegations of sexual exploitation and abuse against UN peacekeepers in the last 15 years. Ramita Navai reveals why it keeps happening despite UN promises to stamp it out. It was produced for Channel 4 and for PBS Frontline – and ARTE. The film won the Robert F Kennedy Human Rights Journalism award for Television – International. Nominated for 2019 Emmy Award for Outstanding Investigative Documentary. Shortlisted for 2019 Grierson Awards for Best Single Documentary – International and Best Current Affairs Documentary. In 2020, the documentary won the 22nd Media Awards for “Children’s Rights in One World” in Germany.
Island Soldier (2017)
The untold story of Micronesian citizens fighting America's wars. Through the personal odyssey of the Nenas, one family experiences the consequences of military service, as they represent a pristine Pacific island on the brink of economic collapse.
Joe Louis: America's Hero Betrayed (2008)
An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
The Happy Child (2003)
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
Standard Operating Procedure (2008)
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Yugoslavia: How Ideology Moved Our Collective Body (2013)
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
The Last Season (2014)
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
Winter Soldier (1972)
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, telling of inaccurate body counts, and recounting the process of destroying a village.
The Long Road Through Balkan History (2009)
Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
Camilo: The Long Road to Disobedience (2008)
The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.
Not a War Story (2017)
Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.
The Great Ecstasy of Woodcarver Steiner (1974)
A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.
Once Brothers (2010)
Drazen Petrovic and Vlade Divac were two friends who grew up together sharing the common bond of basketball. Together, they lifted the Yugoslavian National team to unimaginable heights. After conquering Europe, they both went to USA where they became the first two foreign players to attain NBA stardom. But with the fall of the Soviet Union on Christmas Day 1991, Yugoslavia split up. A war broke out between Petrovic's Croatia and Divac's Serbia. Long buried ethnic tensions surfaced. And these two men, once brothers, were now on opposite sides of a deadly civil war. As Petrovic and Divac continued to face each other on the basketball courts of the NBA, no words passed between the two. Then, on the fateful night of June 7, 1993, Drazen Petrovic was killed in an auto accident. This film will tell the gripping tale of these men, how circumstances beyond their control tore them apart, and whether Divac has ever come to terms with the death of a friend before they had a chance to reconcile.
Tell Spring Not to Come This Year (2015)
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
Grenze (2004)
In February 1986 they received the call of a fatherland that no longer exists: four young GDR citizens on the verge of adulthood see themselves forced, like so many others in East and West Germany, to do their one and a half years of military service. What is special: Their service area is the border system, an anti-imperialist protective wall according to their superiors, death strips and prison bars for a population incapacitated in naked reality. Now, seventeen years later, there is a reunion with the comrades and the old post. This feature film, which was the first in reunified Germany to deal with the inner workings of the GDR border troops, tells of life on the fence, the associated contradictions and some hot phases in the Cold War.
The First World War (1934)
Produced by the Fox Movietone News arm of Fox Film Corporation and based on the book by Lawrence Stallings, this expanded newsreel, using stock-and-archive footage, tells the story of World War I from inception to conclusion. Alternating with scenes of trench warfare and intimate glimpses of European royalty at home, and scenes of conflict at sea combined with sequences of films from the secret archives of many of the involved nations.
Cinema Komunisto (2010)
This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.