Dr. Motte and Wladimir Kaminer, but also Schraubermicha, Joe Hatchiban and Ginger Brown - they all use it. The Mauerpark is located on the former death strip in Berlin. The Wall used to separate people from each other, but today the park reunites them. Punks lie next to mothers with children and artists paint next to basketball players. A unique mixture of madness and relaxation comes together here...
Dr. MotteDr. MotteWladimir KaminerWladimir KaminerDJ TanithDJ TanthThe original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
For some time now, there have been schools in Germany whose aim is not to segregate any child. Everyone should be integrated with their minor or major handicaps, advantages or weaknesses, whether highly gifted or severely disabled. Klassenleben tells the story of such a school, its teachers, its children and the immense challenge of learning. From winter to summer 2004, Hubertus Siegert and his film team accompanied class 5d at the Fläming elementary school in Berlin. At eye level with its protagonists, the film observes the learning and life of pupils with extremely different abilities in a class of 20 children, four of whom have learning difficulties or severe multiple disabilities, and 16 "normal pupils", including some so-called gifted pupils. Do lessons succeed in such a heterogeneous group? Is everyone motivated to learn where the competition is not between "gifted" children?
This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
Documentary about a district with social problems and an unconventional teacher, who tries to teach more than just knowledge.
Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.
East Berlin disco movie.
German TV film, also shown on Spanish TV in 1976, this is a film all about TD which includes informal interviews and concert/studio footage, most of which seems to have been done exclusively for the film. The interviews are in the German language. The street name in the title refers to where Edgar Froese used to live in Berlin (apparently Klaus Schulze lived on the same street at the time) and is now the site of the TDI offices.
Music as a counter-project to a bourgeois existence: Musicians, club and label operators, record store owners and other music lovers talk about how, despite social and economic constraints, they realize their very different, bohemian and sometimes precarious life projects on the sidelines - and always go on. Detailed essays, experience reports, portraits and interviews are dedicated to the alternative music and club scene in Berlin and Hamburg.
Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.
For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
Documentary about the life in Berlin in 1941. The planned premier was stopped by the national party due to the damages and painful changes to the city that soon followed. It thus premiered in 1950.
The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.
Documents the remodeling of the Ostbahnhof in Berlin Friedrichshain into the central station of the GDR.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.