Karuththamma (1994)
A father blames his miseries on the birth of his third daughter, but soon understands her true value after he becomes paralyzed.
A father blames his miseries on the birth of his third daughter, but soon understands her true value after he becomes paralyzed.
RajashreeKaruththamma
RajaStephen
Saranya PonvannanPeriyakanni
PonvannanThavasi
Vadivelu
Vadivukarasi
Janagaraj
SundarrajanVaathiyarPasumpon is a 1995 Indian Tamil drama film, directed by P. Bharathiraja, starring Prabhu, Sivaji Ganesan, Sivakumar, Raadhika Sarathkumar and Saranya Ponvannan in lead roles. The film, produced by V. Mohan and V. Natarajan, had musical score by Vidyasagar and was released on 14 April 1995.

A devastated youngster awaits a chance to take revenge on his father's murderer, who is seen as a leader in a village.

A rich estate owner is killed by his second wife and her brother Aadimoolam. The estate owner's son Raja returns from USA and learns of this. In order to bring the culprits to book, he makes his friend Sethupati, a rickshaw puller, act as Raja.

Kunjiraman returns from the Gulf intending to settle down in matrimony. But his plans are thwarted by his cousin Laalu and a curse that has gripped the village.
Koochan loves Tulasi but his mother insults the girl and her grandmother, forcing them to leave the village. Things take a turn for the worse when Tulasi is told to wed a rowdy man.
Vaidehi belongs to an orthodox Brahmin family and falls in love with Sankarapandi who is from a different caste. Their love is disapproved by her father but is accepted by Sankarapandi's family.
A drama film directed by Joydeb Ghosh, starring Debesh Roy Chowdhury and Premankur Chattopadhyay in the lead roles.
A murdered infant haunts the home where she died.

To protect his sister and her husband, a man who is revered as God by his villagers takes on the evil men who are hell bent of destroying their lives.
In France, a child is killed by its mother every ten days. By giving a voice to some of these women and their families, this documentary takes a fresh look at a phenomenon that is still taboo.
This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

Livestreamed from the penultimate show at the Winter Garden Theatre in New York City, this stage adaptation of George Clooney's 2005 film follows the story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.

Laid off due to the viral illness sweeping the globe, Byron is barely holding his life together. With eviction looming and his marriage crumbling, he takes a job as a midnight courier at a pandemic hotel for the unhoused, hoping to scrape together enough cash to keep his family afloat.

An isolated woman is confronted by her past when a fellow former cult member reaches out with news that their leader has been released from prison early.

Rose, a young woman who suffers from tinnitus, falls into an infernal spirale, as she is willing to do anything to make her ears stop ringing.