Hal Ashby's obsessive genius led to an unprecedented string of Oscar®-winning classics, including Harold and Maude, Shampoo and Being There. But as contemporaries Coppola, Scorsese and Spielberg rose to blockbuster stardom in the 1980s, Ashby's uncompromising nature played out as a cautionary tale of art versus commerce.
Hal AshbySelf (archive footage)
Jane FondaSelf
Jon VoightSelf
Lee GrantSelf
Dustin HoffmanSelf
Rosanna ArquetteSelf
Jeff BridgesSelf
Allison AndersSelf
John C. ReillySelf
Judd ApatowSelf
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.
A collection of amateur films made by photographer Roderic Vickers and friends.
The first feature-length documentary that fully explores how the toxic social and political Canadian context after 1968 created some of the most nihilistic and imaginative Canadian cult films of the 1970s and 80s and beyond.
The history of the Yakuza Eiga at the TOEI studio is roughly outlined. Real Yakuza and also their connections to the movie business are discussed, and many important actors and directors of the genres are interviewed. Former real yakuza boss turned actor Noboru Ando, Takashi Miike, Sonny Chiba and many more get a chance to speak.
The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.
This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed and features behind-the-scenes glimpses of current MGM productions.
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
Superfan David Whiteley celebrates the unsung British heroes behind the first film in the Star Wars’ franchise, 1977’s eponymously titled Star Wars. The Star Wars saga ends with the release of The Rise of Skywalker in December 2019. This documentary celebrates where it all began. It includes previously unheard stories from the people who made one of the most successful movies of all time, with additional interviews and previously unseen behind-the-scenes footage. The presenter, Star Wars superfan David Whiteley, who has his own connection to the original film (he was born on May the 4th), tracks down the often modest British talent who brought the galaxy to life. David explores the contribution of the London Symphony Orchestra and meets Ann Skinner, who was in charge of continuity. As well as seeing her original stills from the set, Ann reveals how she helped Sir Alec Guinness with one of the most famous speeches in Star Wars.
Documentary about the making of Disney's animated musical adaptation of Kipling's classic.
Documentary about WWII propaganda cartoons.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.
Short featurette about the inspiration behind Pixar's "Cars".
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Lloyd Kaufman from Troma sits down for a Q&A at The Prince Charles Cinema in London on the evening of a Troma Triple-bill.